Channel
@Academy_of_art
On this record: Topic · Growth · Engagement · Posts · Citations · Cite this entry
585subscribers
+10 since we began measuring on 5 August 2026
Risers and fallers across the register · movement among entries of Under 1,000.
| Telegram ID | -1001016698342 |
|---|---|
| Type | Channel |
| Username | @Academy_of_art |
| Created | Between 1 December 2015 and 31 March 2016 — estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 6 August 2026 |
| Last confirmed live | 19 September 2026 |
| Measurements held | 7 |
| Confirmed unchanged | 1 time, most recently 19 September 2026 |
| On Telegram | t.me/Academy_of_art |
Art & design — a classification, not a measurement. An on-box language model (Qwen3.6-35B-A3B-FP8, prompt version 1) read this channel’s own recent posts on 21 September 2026 and assigned it the closest of 31 fixed categories, at 100% confidence. This is a model’s judgement about what the channel is likely to be about, not a fact this register measured the way a subscriber count or a view count is measured — it can be revised on a later pass, and it carries no weight anywhere else on this page. How this classification works, and why it has no browse page of its own yet.
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 19 Sept 2026, 15:59 | 585 | -1 |
| 11 Sept 2026, 13:41 | 586 | +1 |
| 27 Aug 2026, 01:14 | 585 | +1 |
| 20 Aug 2026, 21:37 | 584 | +6 |
| 13 Aug 2026, 12:28 | 578 | +3 |
| 6 Aug 2026, 18:03 | 575 | no change |
| 5 Aug 2026, 16:41 | 575 | first reading |
13 posts held, back to 24 July 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 page of Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 13 posts for this entry, the most recent from 6 August 2026. An engagement rate over an empty window would be a number about nothing.
به بهانه زادروز مهدی قدیانلو در میان هنرمندان معاصر ایران، مهدی قدیانلو جایگاهی متمایز دارد، زیرا زبان تصویری او نه بر بازنمایی طبیعت، روایت رویداد یا بازآفرینی فیگور انسانی، بلکه بر ساختن فضا استوار است. اگرچه نخستین شهرت او با دیوارنگارههای شهری تهران شکل گرفت، اما در نقاشیهای متأخرش این تجربه از مقیاس شهر به فضای درونی و ذهنی انتقال یافته است. مجموعه نقاشیهای اخیر او، که با اتاقهای مکعبی، نورهای موضعی، سرسره…
با وجود این کیفیت بصری جذاب، عناصر اصلی این نقاشیها یعنی سرسره، نردبان، لوله و مسیرهای مارپیچ واجد لایهای عمیقتر از معنا هستند. این اشیا در نگاه نخست یادآور زمینهای بازی کودکاناند، اما در آثار قدیانلو کارکرد معمول خود را از دست دادهاند. سرسرهها اغلب به جایی نامعلوم ختم میشوند، لولهها مسیرهایی پیچیده و بیپایان را شکل میدهند و نردبانها به نقاطی میرسند که امکان دسترسی واقعی به آنها وجود ندارد. بنابراین حرک…
Photo, posted without a caption
Photo, posted without a caption
Photo, posted without a caption
بازتاب خبری نشست تخصصی بررسی جریان نوسقاخانه؛ https://www.mehrnews.com/news/6898388/ https://www.irna.ir/news/86218689/ https://borna.news/fa/news/2369822/ https://qudsonline.ir/xcRqs https://sabanews.ir/574023/ https://yektahonar.ir/?p=38351 https://www.pana.ir/%D8%A8%D8%AE%D8%B4-%D9%81%D8%B1%D9%87%D9%86%DA%AF%DB%8C-32/1724071-%D8%B1%D8%A7%D8%A8%D8%B7%D9%87-%D8%A8%DB%8C%D9%86-%D9%87%D9%86%D8%B1-%D8%B9%D8%A7%D…
اکبر عبدی، محبوبِ کودکی من بود؛ و تا امروز، محبوبِ قلبم باقی ماند. در سالهای کودکی، شیفتهی او بودم؛ از سرِ همان شورِ کودکانه، با تارزن و تارزان، با خندههایی که بیهیچ دغدغهای از ته دل میآمدند. اما هرچه بزرگتر شدم، این علاقه دیگر از جنسِ سرگرمی نبود؛ به شناختی عمیقتر رسیدم و فهمیدم که او تنها یک بازیگر نبود، بلکه اسطورهای کمنظیر در فرهنگ و هنر این سرزمین بود؛ از آن یگانههایی که میآیند، میدرخشند و دیگر تکر…
https://www.mehrnews.com/news/6898388/%D9%87%D9%86%D8%B1-%D8%B3%D9%82%D8%A7%D8%AE%D8%A7%D9%86%D9%87-%D8%AA%D9%84%D8%A7%D9%82%DB%8C-%D8%AC%D8%B3%D8%AA%D8%AC%D9%88%DB%8C-%DA%A9%D9%87%D9%86-%D8%A7%D9%84%DA%AF%D9%88%D9%87%D8%A7%DB%8C-%D9%85%D9%81%D9%82%D9%88%D8%AF%D9%87-%D8%A7%D8%B3%D8%AA-%D8%AC%D8%AF%D8%A7%D9%84-%D8%A8%D8%B1-%D8%B3%D8%B1
https://www.shabestan.news/news/1895955/%D9%87%D9%86%D8%B1-%D8%B3%D9%82%D8%A7%D8%AE%D8%A7%D9%86%D9%87-%D8%AA%D9%84%D8%A7%D9%82%DB%8C-%D8%AC%D8%B3%D8%AA%D8%AC%D9%88%DB%8C-%DA%A9%D9%87%D9%86-%D8%A7%D9%84%DA%AF%D9%88%D9%87%D8%A7%DB%8C-%D9%85%D9%81%D9%82%D9%88%D8%AF%D9%87-%D8%A7%D8%B3%D8%AA
https://sabanews.ir/574023/%D8%A2%DB%8C%D8%AF%DB%8C%D9%86-%D8%A2%D8%BA%D8%AF%D8%A7%D8%B4%D9%84%D9%88-%D8%AC%D9%86%D8%A8%D8%B4-%D8%B3%D9%82%D8%A7%D8%AE%D8%A7%D9%86%D9%87-%D8%AD%D8%A7%D8%B5%D9%84-%D8%AA%D9%84%D8%A7%D9%82%DB%8C-%D8%AC%D8%B3%D8%AA%D9%88%D8%AC%D9%88%DB%8C-%DA%A9%D9%87%D9%86%D8%A7%D9%84%DA%AF%D9%88%D9%87%D8%A7%DB%8C-%D9%85%D9%81%D9%82%D9%88%D8%AF%D9%87-%D8%A8%D8%A7-%D9%87%D9%86%D8%B1-%D8%B9%D8%A7%D9%85%DB%…
https://www.khabaronline.ir/news/2251149/%D8%B1%D8%A7%D8%A8%D8%B7%D9%87-%D8%A8%DB%8C%D9%86-%D9%87%D9%86%D8%B1-%D8%B9%D8%A7%D9%85%DB%8C%D8%A7%D9%86%D9%87-%D9%88-%D8%AC%D9%86%D8%A8%D8%B4-%D8%B3%D9%82%D8%A7%D8%AE%D8%A7%D9%86%D9%87-%D8%A7%D8%B2-%D8%AF%DB%8C%D8%AF%DA%AF%D8%A7%D9%87-%D8%A2%DB%8C%D8%AF%DB%8C%D9%86-%D8%A2%D8%BA%D8%AF%D8%A7%D8%B4%D9%84%D9%88
🎬 آیدین آغداشلو: جنبش سقاخانه حاصل تلاقی جستوجوی کهنالگوهای مفقوده با هنر عامیانه است 🔺 نشست تخصصی «از سقاخانه تا نوسقاخانه؛ بازخوانی یک جریان» با سخنرانی آیدین آغداشلو و محمدرضا مریدی و به اهتمام شایان شعبان، پنجشنبه اول مردادماه در گالری ایرانشهر برگزار شد. آیدین آغداشلو با بیان اینکه هنر عامیانه برای جنبش سقاخانه «منبع تغذیه و الهام» بود، تاکید کرد که سقاخانه با برداشتن المانهای هنر عامیانه و ترکیب آنها با زب…
Showing the 12 most recent of 13 posts we hold for @Academy_of_art. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Republishes
Channels on the register whose posts this channel has forwarded.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Names
Channels on the register whose handles appear in this channel's posts.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 19 September 2026 — this entry's latest reading, not the date you are reading this.
“Academy of art” (@Academy_of_art), 585 subscribers as measured 19 September 2026. Telegram Register, tgregister.com/channel/Academy_of_art.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.