Channel
@artresearchh
On this record: Topic · Growth · Engagement · What this channel posts · Reactions · Posts · Citations · Telegram's recommendations · Cite this entry
4,962subscribers
+151 since we began measuring on 5 August 2026
Risers and fallers across the register · movement among entries of 3,162–10,000.
| Telegram ID | -1001064562497 |
|---|---|
| Type | Channel |
| Username | @artresearchh |
| Created | 5 July 2016 — measured — cross-checked against a third-party dataset (TGDataset) |
| First recorded | 6 August 2026 |
| Last confirmed live | 15 September 2026 |
| Measurements held | 14 |
| Confirmed unchanged | 1 time, most recently 15 September 2026 |
| On Telegram | t.me/artresearchh |
Art & design — a classification, not a measurement. An on-box language model (Qwen3.6-35B-A3B-FP8, prompt version 1) read this channel’s own recent posts on 13 September 2026 and assigned it the closest of 31 fixed categories, at 100% confidence. This is a model’s judgement about what the channel is likely to be about, not a fact this register measured the way a subscriber count or a view count is measured — it can be revised on a later pass, and it carries no weight anywhere else on this page. How this classification works, and why it has no browse page of its own yet.
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 15 Sept 2026, 21:18 | 4,962 | +10 |
| 11 Sept 2026, 21:59 | 4,952 | +16 |
| 7 Sept 2026, 03:40 | 4,936 | +15 |
| 2 Sept 2026, 16:43 | 4,921 | +33 |
| 30 Aug 2026, 23:54 | 4,888 | +6 |
| 27 Aug 2026, 22:24 | 4,882 | +8 |
| 25 Aug 2026, 01:34 | 4,874 | +24 |
| 21 Aug 2026, 04:25 | 4,850 | +12 |
| 15 Aug 2026, 17:58 | 4,838 | +6 |
| 12 Aug 2026, 04:12 | 4,832 | +13 |
| 9 Aug 2026, 08:42 | 4,819 | +7 |
| 6 Aug 2026, 03:50 | 4,812 | no change |
| 6 Aug 2026, 02:10 | 4,812 | +1 |
| 5 Aug 2026, 23:08 | 4,811 | first reading |
35 posts held, back to 5 August 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 9 pages of Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 35 posts for this entry, the most recent from 11 August 2026. An engagement rate over an empty window would be a number about nothing.
Measured directly from 1 video with a duration reading, out of the posts we hold for this channel — not this channel’s whole posting history, only the sample this register has actually read. An exact reading to the second, taken from the post itself rather than from Telegram’s own rounded chrome, so it carries no ≈ mark.
36 reactions across 16 posts, in 5 distinct kinds. The most used accounts for 86.1% of them.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| ❤ | 31 | 86.1% | |
| 👍 | 2 | 5.56% | |
| 🐳 | 1 | 2.78% | |
| 😁 | 1 | 2.78% | |
| 🤮 | 1 | 2.78% |
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 22 of the 35 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 44 reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 35 most recent posts we hold, published 5 August 2026 to 11 August 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
جهانت بکام و فلک یار باد جهـانآفـرینـت نگهـدار باد بکـام تو بـادا همـه کـار تـو خداونـد گیتـی نگهـدار تـو قطعۀ نستعلیق ترکیبی رقم فقیر میرعلی مرمب، آبرنگ و طلا روی کاغذ ۲۹.۹ × ۲۰.۳ سانتیمتر نگارخانۀ هنر فریِر، مؤسسۀ اسمیتسونیان .
❤2
تخت جمشید ۱۸۴۰ میلادی اوژن فلاندن موزۀ ریکس آمستردام
❤4
روز شنبه ز دیر شماسی خیمه زد در سواد عباسی سوی گنبد سرای غالیه فام پیش بانوی هند شد به سلام تا شب آنجا نشاط و بازی کرد عودسازی و عطرسازی کرد دیدار بهرام گور و شاهزادهبانوی هندی در روز شنبه. برگی از خمسۀ نظامی رقم کمترین بندگان محمد زمان 1086 ه .ق. 1675 میلادی با حاشیۀ تشعیر کتابخانه بریتانیا
❤2
دیدار خسرو و شیرین برگی از نسخۀ دستنویس خمسه نظامی کتابت رقم عبدالجبار، ۱۰۲۹ ه .ق. اصفهان، ایران، ۱۶۱۹ - ۱۶۲۴ میلادی حدود ۲۴ نگاره، ۳۶۰ × ۲۴۰ میلیمتر شمارة نسخه 1029 کتابخانه ملی فرانسه، پاریس
سطری از قرآن ابراهیم سلطان بخط محقق رمضان ۸۳۰ ه .ق./ژوئن ۱۴۲۷ م. وقفشده به آستان شاهچراغ در رمضان ۸۳۴ ه .ق. موزه پارس شیراز برگرفته از مقالۀ محمدصادق میرزا ابوالقاسمی
❤3
سیاهمشق «حافظ شیرازی» محمد احصایی ۱۳۶۸ خورشیدی تذهیب: شکوفه جعفری، ۱۳۶۹
❤2🤮1😁1
الهی کار اگر به گفتارست، بر سر همه گویندگان تاجم و اگر به کردارست، چون سلیمان به موری محتاجم الهی اگر یکبار گویی بندۀ من از عرش بگذرد خندۀ من. چلیپای نستعلیق تذهیبشده از مرقّع محمدصالح و نورالدین اصفهانی آغاز صدۀ ۱۲ ه .ق. دانشکده مطالعات شرقی و آفریقایی، SOAS
❤1
گل و مرغ (سهره، خشخاش، سنجاقک و زنبور) گلکنده، دکن، هند، ۱۶۵۰–۱۶۷۰ م. آبرنگ مات و طلا روی کاغذ برگه: ۲۹.۲ × ۱۹.۷ سانتیمتر تصویر: ۱۸.۷ × ۱۰.۲ سانتیمتر موزۀ بروکلین پرنده بر روی صخرهای خیالی نشسته است که مستقیماً از سنتهای نقاشی ایرانی سرچشمه میگیرد. استفاده از رنگهای گوهری در نقاشی نشان میدهد که در منطقۀ جنوبی هند معروف به دکن، احتمالاً ایالت گلکنده، ساخته شده است. هم خشخاش و هم سنجاقک در بسیاری از نقاشیهای…
❤2
اعلامیۀ تجدید چاپ نشریۀ چهرنما در مصر عبدالمحمد ایرانی ۷ دیماه ۱۳۰۳ ش. ۱ جمادیالثانی ۱۳۴۳ ق. کتابخانۀ دانشگاه پرینستون
چطوری_باید_به_هنر_مدرن_نگاه_کنیم؟_|_بررسی_سرگذشت_و_آثار_هنر_مدرن ✦•······················•✦ 💌✨ @Romanceword ✨💌 ✦•······················•✦ حـرفهـای قـشـنـگـتـو ایـنـجـا بـنـویـس👇🏻
کلاغها و سرو ژاپنی ژاپن، پایان صدۀ ۱۶ م. دوره مومویاما (۱۵۷۳–۱۶۰۳) پردۀ تاشو ششتکه، مرکب روی کاغذ ۱۶۳.۸ × ۳۴۵.۴ سانتیمتر مؤسسۀ هنر مینیاپولیس صدا و جیغ کلاغ در چین و ژاپن به عنوان یک نشانۀ بدشگون در نظر گرفته میشود، با این حال کلاغها از صدۀ ۱۶ م. به بعد به یک موضوع استاندارد در بین هنرمندان ژاپنی تبدیل شدند. آنها ممکن است از نقاشیهای وارداتی چینی از پرندگان مینا، که بومی ژاپن نیستند، الهام گرفته شده باشند و گ…
❤1
قل تمتّع قل تمتّع یا غلام قل تعالوا قل تعالوا یا حبیب. قطعهای به خط محقق احمد قرهحصاری برگی از یک مرقّع از سدۀ ۹ ه .ق. با آثاری از عبدالله طباخ و قرهحصاری کتابخانة ایالتی برلین .
❤3
Showing the 12 most recent of 35 posts we hold for @artresearchh. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Republishes
Channels on the register whose posts this channel has forwarded.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Named by 6 registered channels — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
Names
Channels on the register whose handles appear in this channel's posts.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
The reverse of the list above, and a different kind of signal. This does not require this channel to have ever been asked about directly — each row below is a channel we DID ask Telegram about, whose Telegram-generated list happened to include this one. A channel can appear here with an empty list above it, because being named by someone else’s query is independent of having been queried itself.
This channel appears in 6 seed channels' Telegram-generated recommendation lists in total. Each is Telegram’s list for THAT channel, not this one — see how this is measured.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 15 September 2026 — this entry's latest reading, not the date you are reading this.
“🔰 پژوهش هنر” (@artresearchh), 4,962 subscribers as measured 15 September 2026. Telegram Register, tgregister.com/channel/artresearchh.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.