Channel
@creative_museum
On this record: Growth · Engagement · Reactions · Posts · Citations · Cite this entry
1,935subscribers
-7 since we began measuring on 7 August 2026
Risers and fallers across the register · movement among entries of 1,000–3,162.
| Telegram ID | -1001569437141 |
|---|---|
| Type | Channel |
| Username | @creative_museum |
| Created | 13 December 2021 — measured — cross-checked against a third-party dataset (ext.tg_channel) |
| First recorded | 7 August 2026 |
| Last confirmed live | 3 September 2026 |
| Measurements held | 7 |
| Confirmed unchanged | 1 time, most recently 3 September 2026 |
| On Telegram | t.me/creative_museum |
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 3 Sept 2026, 20:20 | 1,935 | +1 |
| 31 Aug 2026, 08:16 | 1,934 | -1 |
| 28 Aug 2026, 04:34 | 1,935 | -3 |
| 14 Aug 2026, 09:54 | 1,938 | -3 |
| 11 Aug 2026, 01:04 | 1,941 | -1 |
| 7 Aug 2026, 15:02 | 1,942 | no change |
| 7 Aug 2026, 12:50 | 1,942 | first reading |
6 posts held, back to 25 July 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 page of Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 6 posts for this entry, the most recent from 6 August 2026. An engagement rate over an empty window would be a number about nothing.
68 reactions across 6 posts, in 7 distinct kinds. The most used accounts for 50.0% of them.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| ❤ | 34 | 50.0% | |
| ❤🔥 | 14 | 20.6% | |
| 👍 | 11 | 16.2% | |
| 🔥 | 4 | 5.88% | |
| custom 5370727282182727733 | 2 | 2.94% | |
| 😍 | 2 | 2.94% | |
| 👏 | 1 | 1.47% |
Custom emoji. One row above is a Telegram custom emoji, which the public preview renders as an element carrying only a numeric id — no character, and no image we can reach. The id is printed as-is rather than substituted with a look-alike glyph, because a stand-in would be our invention showing where a measurement should be. The count beside it is Telegram’s.
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 6 of the 6 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 68 reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 6 most recent posts we hold, published 25 July 2026 to 6 August 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
📫Продолжаем лето с Пикником Афиши И отправляемся в Петербург! 8 августа на Елагином острове откроется «Остров впечатлений» — наша музейно-выставочная зона, созданная в культурном партнерстве с Пикником Афиши. Куратор проекта — Дарья Тишкова. На музейной карусели ведущие культурные институции помогут взглянуть на искусство по-новому — через игру, эксперименты и неожиданные открытия. 🟢 Музей спорта представит проект…
❤2🔥1
Дизайнер против ИИ: кто сильнее? На вебинаре Школы дизайна НИУ ВШЭ руководители направления «Коммуникационный дизайн» Наталья Бурденкова и Ярослав Субботин расскажут, как нейросетевые технологии трансформируют профессию дизайнера. 〰️ Почему это важно для музейных команд? Вебинар поможет разобраться, какое место искусственный интеллект занимает в визуальной коммуникации проектов. Участники узнают, в каких задачах…
❤4👍2
Музей+/Книги: запись вебинара и примеры креативных практик Как книга становится продолжением музейного опыта? Какие задачи она помогает решать и почему сотрудничество музеев с издательствами сегодня становится все более востребованным? На вебинаре цикла «Музей+» вместе с Софьей Пантюлиной — директором издательства «Розовый жираф» и книжного магазина «Букашки» — мы поговорили о книге как продолжении музейного опыта.…
❤6❤🔥5👍5
Через 10 минут встречаемся на вебинаре «Музей+/Книги», чтобы обсудить особенности сотрудничества музеев и издательств. Вместе рассмотрим, как издательские проекты помогают музеям расширять аудиторию и выстраивать коммуникацию с посетителями. На примере российских и зарубежных кейсов обсудим актуальные форматы музейных изданий и проанализируем, как книга может стать продолжением музейного нарратива. Обязательно под…
❤7❤🔥6🔥3
Тверь, в которой мы живем: неформальный путеводитель по городу Как создать издательский продукт, который заново влюбил бы жителей в город и был интересен туристам? Команда центра современной культуры «Рельсы» привлекла местные сообщества, краеведов и экскурсоводов для создания неформального путеводителя по городу. Внутри — 3 маршрута с исторической справкой, гастрономическими рекомендациями и подборкой локальных м…
❤7👍2😍2custom 53707272821827277332❤🔥1👏1
5 стадий развития команды: модель психолога Брюса Такмана Как построить идеальную команду единомышленников? И что делать, если после успешного старта появляются разногласия, а темп работы неожиданно снижается? ✔️ Сегодня делимся теорией о динамике развития проектных команд. Модель Такмана помогает понять, как не бороться с закономерными процессами, а осознанно управлять развитием команды и быстрее приводить ее к эф…
❤8❤🔥2👍2
Showing the 6 most recent of 6 posts we hold for @creative_museum. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Names
Channels on the register whose handles appear in this channel's posts.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 3 September 2026 — this entry's latest reading, not the date you are reading this.
“Конкурс «Креативный музей»” (@creative_museum), 1,935 subscribers as measured 3 September 2026. Telegram Register, tgregister.com/channel/creative_museum.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.