Mirroring the ancient corrguíneacht tradition of standing on one leg with one eye closed to curse corrupt power, the Ireland of One Leg One Eye is built upon the bog of primal Celtic lore and twilight shadowland, upon pagan mysticism and buried leylines writhing beneath the abandoned industrial decay of modern Dublin. Uilleann pipes are warped, traditional sean-nós vocals rent into the echo-drenched keenings of sover…

Channel
CTM Festival
@ctmfestival
On this record: Topic · Growth · Engagement · What this channel posts · Posts · Citations · Cite this entry
3,159subscribers
-5 since we began measuring on 6 August 2026
Risers and fallers across the register · movement among entries of 1,000–3,162.
Register entry
| Telegram ID | -1001363621931 |
|---|---|
| Type | Channel |
| Username | @ctmfestival |
| Created | 19 February 2020 — measured — cross-checked against a third-party dataset (ext.tg_channel) |
| First recorded | 6 August 2026 |
| Last confirmed live | 16 September 2026 |
| Measurements held | 15 |
| Confirmed unchanged | 1 time, most recently 16 September 2026 |
| On Telegram | t.me/ctmfestival |
Topic
Music — a classification, not a measurement. An on-box language model (Qwen3.6-35B-A3B-FP8, prompt version 1) read this channel’s own recent posts on 14 September 2026 and assigned it the closest of 31 fixed categories, at 81% confidence. This is a model’s judgement about what the channel is likely to be about, not a fact this register measured the way a subscriber count or a view count is measured — it can be revised on a later pass, and it carries no weight anywhere else on this page. How this classification works, and why it has no browse page of its own yet.
Growth
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 16 Sept 2026, 15:18 | 3,159 | +1 |
| 12 Sept 2026, 11:55 | 3,158 | +2 |
| 8 Sept 2026, 09:35 | 3,156 | -1 |
| 3 Sept 2026, 10:08 | 3,157 | +3 |
| 30 Aug 2026, 22:57 | 3,154 | -5 |
| 27 Aug 2026, 19:13 | 3,159 | -1 |
| 25 Aug 2026, 05:13 | 3,160 | +3 |
| 22 Aug 2026, 02:35 | 3,157 | +1 |
| 19 Aug 2026, 05:54 | 3,156 | +1 |
| 16 Aug 2026, 03:58 | 3,155 | -1 |
| 12 Aug 2026, 09:02 | 3,156 | -4 |
| 9 Aug 2026, 11:06 | 3,160 | -2 |
| 6 Aug 2026, 21:03 | 3,162 | -2 |
| 6 Aug 2026, 11:01 | 3,164 | no change |
| 6 Aug 2026, 09:49 | 3,164 | first reading |
Engagement
19 posts held, back to 30 June 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 3 pages of Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 19 posts for this entry, the most recent from 7 August 2026. An engagement rate over an empty window would be a number about nothing.
What this channel posts
- Video runtime
- 1m 49s
- Average length
- 22s
Measured directly from 5 videos with a duration reading, out of the posts we hold for this channel — not this channel’s whole posting history, only the sample this register has actually read. An exact reading to the second, taken from the post itself rather than from Telegram’s own rounded chrome, so it carries no ≈ mark.
Recent posts
Presented in collaboration with Deutsche Oper, Icelandic composer Bára Gísladóttir will perform a rare presentation of her work »Silva« on 25 November. Drawing equally from contemporary classical rigor and the physical thrust of experimental music, »Silva« imagines a forest rooting itself into darkness rather than light. Co-headlining the night, Polish composer and electro-acoustic instrumentalist Robert Piotrowicz …
Joining One Leg One Eye on Sep 7, Bridget Ferrill operates upon acoustic instruments, subjecting them to severe digital violence and spatial distortion until naught is left but skeleton. Debasing harp, church organ, and microtonal tuba with what she terms »false additive synthesis«, her instrument builder and audio engineering background allows her to weaponize her feedback, extracting hidden agonizing frequencies fr…
As part of Transgressive Memory Festival 2026, our curated Sep 12 night Unstable Hallucinations threads elements of our long-term project Resynthesising the Traditional. Marcin Pietruszewski and Lukas de Clerck explore the ancient Greco-Roman aulos; Dania’s speculations sonically reanimate Mesopotamian museum artifacts; and Stefan Fraunberger transfigures Transylvania’s decaying pipe organs. Here, idealized versions…
In collaboration with Neue Nationalgalerie, the music series Sound In The Garden returns to the sculpture gardens of the museum for five days in August. The final day features the return of the celebrated fog sculpture by iconic Japanese artist Fujiko Nakaya, with a day-long program of expansive sonic dialogues in tribute to these ethereal works of art. Day I: Gigi Masin & Marco Baldini, Valentina Magaletti & Upsamm…
In just five days—Violent Magic Orchestra and PΞB open up a pit of Death Rave at Urban Spree 💀 › Remaining tickets
Open Call: Research Networking Day Apply by 25 October 2026. We’re seeking proposals for short presentations at our 2027 Research Networking Day that respond to the CTM 2027 theme, Process…ing. The call is aimed at graduate or postgraduate students – as well as independent artists conducting self-guided research – traversing the fields of audio, arts, media, design, and related theoretical disciplines.
Open Call: In Listening Apply by 6 September 2026. After more than a decade, we’ve shifted the CTM Radio Lab into a new format titled »In Listening«. This call is for works grounded in experimental sound and audio art, and driven by conceptual approaches or sonic narratives. It supports exploration at the blurred edges between sound, music, storytelling, poetry, documenting and more, while reflecting on ideas, stor…
Announcing CTM 2027’s theme - Proccess...ing. We live in a present saturated by predefined scripts, hungry algorithms, and extractivist protocols, increasingly turning us into providers within systems we did not build. As the speed and complexity of these routines accelerate, they incapacitate our fundamental need to actually process what is happening around and within us, sacrificing agency, spontaneity, and our ca…
Three new Open Calls for Residencies from transmediale are now online 🔔 This year’s open calls seek proposals offering alternatives to how we understand, respond to, and shape the technological conditions we inhabit. Each resident will receive a monthly stipend plus additional support for self-organized housing in Berlin, plus travel and accommodation for the festival in January 2027.
Less than 60 tickets remain for our powerful August 6th double bill with Ragana and Dis Fig + Spixe—better act fast while those tickets are still available 🩸
Job Opening: Our sister festival transmediale is looking for a full-time Project Manager to take responsibility for the detailed planning and smooth implementation of the festival program in close cooperation with the program, production, and administration team. If you love art, music, organization, and working with some of the nicest people in Berlin, apply now by July 26th 🧬
Showing the 12 most recent of 19 posts we hold for @ctmfestival. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Forward network
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Cite this entry
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 16 September 2026 — this entry's latest reading, not the date you are reading this.
“CTM Festival” (@ctmfestival), 3,159 subscribers as measured 16 September 2026. Telegram Register, tgregister.com/channel/ctmfestival.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.