Channel
@faetonorchestra
On this record: Growth · Engagement · What this channel posts · Reactions · Posts · Citations · Cite this entry
125subscribers
+0 since we began measuring on 8 August 2026
Risers and fallers across the register · movement among entries of Under 1,000.
| Telegram ID | -1003606375341 |
|---|---|
| Type | Channel |
| Username | @faetonorchestra |
| Description | Молодой коллектив, основанный в 2025 году. В состав оркестра вошли инициативные студенты и ассистенты Московской консерватории и других ведущих музыкальных вузов столицы, многие из которых являются лауреатами престижных Международных конкурсов. |
| Created | Between 1 December 2025 and 31 May 2026 — estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 9 August 2026 |
| Last confirmed live | 17 September 2026 |
| Measurements held | 2 |
| On Telegram | t.me/faetonorchestra |
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 9 Aug 2026, 02:46 | 125 | no change |
| 8 Aug 2026, 08:34 | 125 | first reading |
9 posts held, back to 24 June 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 page of Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 9 posts for this entry, the most recent from 17 July 2026. An engagement rate over an empty window would be a number about nothing.
Lifetime counters from Telegram’s own channel header, read 9 August 2026 — not the date at the top of this page, which is when the subscriber count was last read. Below Telegram’s rounding threshold, so these counts are exact.
Measured directly from 2 videos with a duration reading, out of the posts we hold for this channel — not this channel’s whole posting history, only the sample this register has actually read. An exact reading to the second, taken from the post itself rather than from Telegram’s own rounded chrome, so it carries no ≈ mark.
167 reactions across 9 posts, in 9 distinct kinds. The most used accounts for 29.9% of them.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| ❤ | 50 | 29.9% | |
| ❤🔥 | 43 | 25.7% | |
| 👏 | 29 | 17.4% | |
| 🔥 | 25 | 15.0% | |
| 🥰 | 13 | 7.78% | |
| 👍 | 4 | 2.40% | |
| ⚡ | 1 | 0.599% | |
| 🏆 | 1 | 0.599% | |
| 💘 | 1 | 0.599% |
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 9 of the 9 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 167 reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 9 most recent posts we hold, published 24 June 2026 to 17 July 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
Габриэль Форе. Две части из Реквиема, соч. 48: «Pie Jesu», «In Paradisum» Камерный оркестр и хор Художественный руководитель и дирижёр – Пётр Яновский Солист: Иван Шушунов, дискант 17.06. Малый зал консерватории https://youtu.be/1Cjq7iNVCOc?is=0Wc6GP7Emk-J1siV
❤🔥7❤5🔥3🥰2🏆1💘1
Рецензия Анны Коломоец в журнале «Музыкальная жизнь»! Свет сияет во тьме | Музыкальная жизнь https://share.google/sGXsT9JvT8iujFLle
❤7❤🔥4👏4🔥3🥰2
Трудно в это поверить, но вот и подошёл к концу наш первый полноценный сезон, который мы закончили невероятно сложной, титанической и по совместительству уже 7-й по счёту программой за год существования коллектива!!🔥 Нет слов, чтобы передать чувства бесконечной благодарности к каждому человеку, который разделял с нами сцену в этом году...) Спасибо всем огромное!!!❤️🔥
❤🔥17👏13❤6🥰1
#вчерабылитут, в ДК "Рассвет", где дирижер Петр Яновский и его камерный оркестр спасали от забвения музыку Мясковского, Вайнберга, Пейко, Галынина. Дарья Луценко солировала в вайнберговском Концертино для виолончели, а сам Петр вместе с кларнетисткой Ариной Рабенковой выступил и в качестве пианиста в собственном "Лирическом концертино" памяти Николая Мясковского и его ярких учеников. Прозвучал, с участием скрипачки А…
🔥8❤🔥6👏6❤2⚡1
На фотографии — выдающийся композитор и педагог Николай Мясковский и его еще молодой ученик Герман Галынин. Хотя музыка Мясковского звучит незаслуженно редко, его имя всегда вспоминается в связи с печально знаменитым постановлением «Об опере "Великая дружба" В. Мурадели» 1948 года — рядом с именами Шостаковича и Прокофьева, обвиненных в формализме. Его называли «совестью нашей музыки»: учениками Мясковского были Ара…
❤9🔥6🥰4
Афиша новой недели: Concerto grosso, забытая русская музыка и летняя пастораль 🖤 29 июня, сегодня | Concerto grosso. Корелли, Гендель, Шнитке Concerto grosso — жанр, где музыка строится на взаимодействиях небольшой группы солистов и оркестра. Сегодня ансамбль VOX CORDIS исполнит три Concerto grosso под номером 3: барочный эталон Корелли, театральную версию Генделя и радикальное переосмысление жанра Шнитке в XX веке…
❤5❤🔥1🔥1
1 июля в 19:30 ДК Рассвет приглашает на концерт, посвящённый незаслуженно забытым страницам в русской музыке второй половины XX века. https://dkrassvet.space/events/myaskovsky/ Прозвучат редкие сочинения выдающегося русского композитора Николая Мясковского, а также его учеников и последователей – Моисея Вайнберга, Германа Галынина и Николая Пейко. Солисты – лауреаты международных конкурсов Анастасия Городнина (скр…
❤5👍2🔥2🥰2
«И свет во тьме светит...» Николай Мясковский и Московская композиторская школа XX века 1 июля в ДК Рассвет состоится программа, посвящённая незаслуженно забытым страницам в русской музыке второй половины XX века. Прозвучат редкие сочинения выдающегося русского композитора Николая Мясковского, а также его учеников и последователей – Моисея Вайнберга, Германа Галынина и Николая Пейко. На сцене – Камерный оркестр п…
❤8❤🔥3👍2🔥2🥰1
Г. Форе. Баллада для фортепиано с оркестром фа-диез мажор, op. 19 Солист – Пётр Акулов 17.06. Малый зал консерватории https://youtu.be/Y7xRKRxTQkQ?is=9phVnN1kJkWRX1iA
👏6❤🔥5❤3🥰1
Showing the 9 most recent of 9 posts we hold for @faetonorchestra. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Republishes
Channels on the register whose posts this channel has forwarded.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Named by 1 registered channel — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 9 August 2026 — this entry's latest reading, not the date you are reading this.
“Камерный оркестр п/у П. Яновского” (@faetonorchestra), 125 subscribers as measured 9 August 2026. Telegram Register, tgregister.com/channel/faetonorchestra.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.