Hermit Online Academy pinned a photo

Channel
Hermit Online Academy
@hermit_academy
On this record: Topic · Growth · Engagement · What this channel posts · Reactions · Posts · Citations · Cite this entry
762subscribers
+32 since we began measuring on 7 August 2026
Risers and fallers across the register · movement among entries of Under 1,000.
Register entry
| Telegram ID | -1002197769468 |
|---|---|
| Type | Channel |
| Username | @hermit_academy |
| Created | 18 August 2024 — measured — dated from the channel’s first post |
| First recorded | 8 August 2026 |
| Last confirmed live | 16 September 2026 |
| Measurements held | 6 |
| Confirmed unchanged | 2 times, most recently 16 September 2026 |
| On Telegram | t.me/hermit_academy |
Topic
Film & TV — a classification, not a measurement. An on-box language model (Qwen3.6-35B-A3B-FP8, prompt version 1) read this channel’s own recent posts on 20 September 2026 and assigned it the closest of 31 fixed categories, at 85% confidence. This is a model’s judgement about what the channel is likely to be about, not a fact this register measured the way a subscriber count or a view count is measured — it can be revised on a later pass, and it carries no weight anywhere else on this page. How this classification works, and why it has no browse page of its own yet.
Growth
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 9 Sept 2026, 06:57 | 762 | +1 |
| 31 Aug 2026, 03:07 | 761 | +35 |
| 25 Aug 2026, 02:55 | 726 | -3 |
| 16 Aug 2026, 20:55 | 729 | -1 |
| 8 Aug 2026, 02:04 | 730 | no change |
| 7 Aug 2026, 17:40 | 730 | first reading |
Engagement
16 posts held, back to 18 August 2024 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 page of Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 16 posts for this entry, the most recent from 23 October 2025. An engagement rate over an empty window would be a number about nothing.
What this channel posts
- Video runtime
- 19m 59s
- Average length
- 2m 00s
Measured directly from 10 videos with a duration reading, out of the posts we hold for this channel — not this channel’s whole posting history, only the sample this register has actually read. An exact reading to the second, taken from the post itself rather than from Telegram’s own rounded chrome, so it carries no ≈ mark.
Reaction mix
118 reactions across 13 posts, in 8 distinct kinds. The most used accounts for 59.3% of them.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| ❤ | 70 | 59.3% | |
| 🔥 | 24 | 20.3% | |
| ❤🔥 | 9 | 7.63% | |
| 👍 | 4 | 3.39% | |
| 🤯 | 4 | 3.39% | |
| 💯 | 3 | 2.54% | |
| 🤩 | 3 | 2.54% | |
| 👌 | 1 | 0.847% |
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 13 of the 16 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 118 reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 16 most recent posts we hold, published 18 August 2024 to 23 October 2025, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
Recent posts
بخشی از تحلیل جف اسمیت راجع به حرکت دوربین و سبک پردازی مستندگونه در فیلم «شکستن امواج» ساختهی لارس فون تریه برای دیدن کامل این ویدئو و قسمت های دیگر این دوره با ادمین هرمیت در ارتباط باشید @hermit_admin
❤4💯3
بخشی از تحلیل جف اسمیت راجع به استفاده از سطوح بازتابنده و انعکاس تصاویر در میزانسن فیلم یییی از ادوارد یانگ برای دیدن کامل این ویدئو و قسمت های دیگر این دوره با ادمین هرمیت در ارتباط باشید @hermit_admin
❤7🔥2
بخشی از تحلیل دیوید بوردول راجع به کمپوزیسیون و فرمت ۳x۴ در فیلم گذران زندگی از ژان لوک گدار. برای دیدن کامل این ویدئو و قسمتهای دیگر این دوره با ادمین هرمیت در ارتباط باشید @hermit_admin
🔥6❤🔥2🤯2❤1🤩1
بخشی از تحلیل کریستین تامپسون راجع به ساختار فلشبک ها در فیلم کالسکهی شبح از ویکتور شوستروم. برای دیدن کامل این ویدئو و قسمتهای دیگر این دوره با ادمین هرمیت در ارتباط باشید @hermit_admin
❤9🔥2
▫️آکادمی هرمیت برگزار میکند▫️ 📽 اکران فیلم هیروشیما عشق من (۱۹۵۹ - آلن رنه) به همراه پخش ویدئو تحلیل پروفسور دیوید بوردول پس از فیلم 🔅 تاریخ : جمعه ۲۵ آبان ساعت ۱۵ 🔸 دیوید بوردول در این قسمت ، به بررسی سبک فیلمسازی آلن رنه و ساختار روایی پیچیده فیلم هیروشیما عشق من میپردازد. بوردول توضیح میدهد که رنه و مارگریت دوراس چگونه با استفاده از تکنیکهای نوآورانه تدوین و روایت ، موضوعات عمیقی چون فرآیند های مربوط به …
❤🔥7🤩1
بخشی از تحلیل کریستین تامپسون راجع به موتیفهای اضمحلال در فیلم بابونهها از ویهرا چیتیلوا. برای دیدن کامل این ویدئو و قسمتهای دیگر این دوره با ادمین هرمیت در ارتباط باشید @hermit_admin
❤8🔥3
تیم پیج، آهنگساز و منتقد موسیقی در این ویدئو به تحلیل موسیقی فیلم هیروشیما عشق من که آهنگسازی آن توسط جیووانی فوسکو و ژرژ دلرو انجام شده، میپردازد. زیرنویس اختصاصی از کانال هرمیت
❤9🤩1
در این فایل عناوین مربوط به هر قسمت و موضوع مورد بررسی در آن فیلم را میتوانید مشاهده کنید. @hermit_academy
❤7👌1
•دورهی تحلیلی هنر سینما• مدرسین : دیوید بوردول - کریستین تامپسون - جف اسمیت ⏳ زمان دوره : ۶۰۰ دقیقه (۵۰ قسمت) این مستر کلاس توسط اساتید برجسته سینما ، پروفسور دیوید بوردول ، کریستین تامسون و جف اسمیت ارائه شده است ، و هدف از آن آشنایی علاقه مندان سینما با مضامینی چون زیبایی شناسی فیلم و جنبه های هنری سینما می باشد. دیوید بوردول و کریستین تامسون که در میان علاقه مندان به سینما اساتیدی نام آشنا و معتبر به شمار می …
❤9👍2
بخشی از تحلیل جف اسمیت در رابطه با استراتژی های فیلمبرداری در فیلم «قرمز» از کریستف کیشلوفسکی. برای دیدن کامل این ویدئو و قسمت های دیگر این دوره با ادمین هرمیت در ارتباط باشید @hermit_admin
❤5👍1
بخشی از تحلیل کریستین تامپسون در رابطه با شاعرانگی چشم انداز ها در آثار عباس کیارستمی در این قسمت دو فیلم «خانه دوست کجاست؟» و «طعم گیلاس» مورد بررسی قرار میگیرند. برای دیدن کامل این ویدئو و قسمت های دیگر این دوره با ادمین هرمیت در ارتباط باشید @hermit_admin
🔥7
Showing the 12 most recent of 16 posts we hold for @hermit_academy. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Forward network
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Mentions
Named by 1 registered channel — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
Cite this entry
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 9 September 2026 — this entry's latest reading, not the date you are reading this.
“Hermit Online Academy” (@hermit_academy), 762 subscribers as measured 9 September 2026. Telegram Register, tgregister.com/channel/hermit_academy.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.