Channel
@hse_art
On this record: Topic · Growth · Engagement · Reactions · Posts · Citations · Telegram's recommendations · Cite this entry
3,123subscribers
+289 since we began measuring on 6 August 2026
Risers and fallers across the register · movement among entries of 1,000–3,162.
| Telegram ID | -1001864172502 |
|---|---|
| Type | Channel |
| Username | @hse_art |
| Created | 24 August 2023 — measured — cross-checked against a third-party dataset (ext.tg_channel) |
| First recorded | 6 August 2026 |
| Last confirmed live | 16 September 2026 |
| Measurements held | 14 |
| Confirmed unchanged | 1 time, most recently 16 September 2026 |
| On Telegram | t.me/hse_art |
Art & design — a classification, not a measurement. An on-box language model (Qwen3.6-35B-A3B-FP8, prompt version 1) read this channel’s own recent posts on 14 September 2026 and assigned it the closest of 31 fixed categories, at 100% confidence. This is a model’s judgement about what the channel is likely to be about, not a fact this register measured the way a subscriber count or a view count is measured — it can be revised on a later pass, and it carries no weight anywhere else on this page. How this classification works, and why it has no browse page of its own yet.
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 16 Sept 2026, 20:01 | 3,123 | +44 |
| 13 Sept 2026, 04:15 | 3,079 | +63 |
| 9 Sept 2026, 02:20 | 3,016 | +30 |
| 4 Sept 2026, 03:17 | 2,986 | +35 |
| 31 Aug 2026, 08:55 | 2,951 | +99 |
| 28 Aug 2026, 08:04 | 2,852 | +11 |
| 22 Aug 2026, 08:19 | 2,841 | +2 |
| 19 Aug 2026, 08:48 | 2,839 | -2 |
| 16 Aug 2026, 14:06 | 2,841 | +5 |
| 12 Aug 2026, 20:13 | 2,836 | +4 |
| 9 Aug 2026, 19:11 | 2,832 | -1 |
| 7 Aug 2026, 02:03 | 2,833 | -1 |
| 6 Aug 2026, 05:06 | 2,834 | no change |
| 6 Aug 2026, 04:04 | 2,834 | first reading |
8 posts held, back to 29 July 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 2 pages of Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 8 posts for this entry, the most recent from 7 August 2026. An engagement rate over an empty window would be a number about nothing.
30 reactions across 6 posts, in 6 distinct kinds. The most used accounts for 53.3% of them.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| ❤ | 16 | 53.3% | |
| ✍ | 4 | 13.3% | |
| 😍 | 4 | 13.3% | |
| 👏 | 3 | 10.0% | |
| 🕊 | 2 | 6.67% | |
| 💯 | 1 | 3.33% |
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 8 of the 8 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 46 reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 8 most recent posts we hold, published 29 July 2026 to 7 August 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
как войти в арт-индустрию и делать проекты, которые замечают 🎙️ 13 августа в 19:00 — бесплатный онлайн-вебинар с Ириной Саминской, руководителем проектов ЦСИ Винзавод. 👉🏻 разберём международные кейсы — например, как Tate Modern превратил подготовку выставки Фриды Кало в самостоятельный медиапроект. и рассмотрим из чего состоит дипломный проект выпускницы программы: от анализа аудитории до оценки результатов. вебин…
✍2❤1
знак, слово, цвет — как читать август через выставки ⚡️ новый дайджест нашего выпускника Майкла Арутюняна — подборка московских выставок об одном: как символы становятся способом существования, а не просто теорией. → до 15 августа — «Прелестные эти песни» в Shift x БУДУЩЕЕ / FUTURO: буква как узор, слово как принудительная сила — два художника, два подхода к языку → до 16 августа — «Девочкины слёзки» в галерее Шму…
❤2👏1🕊1
магистратура Школы дизайна — место, где рождаются такие проекты⚡️ «ЕСКАПЕ_ПОБЕГ» Станислава Ковалёва — медиаинсталляция, которая встраивает формат компьютерной игры в выставочное пространство. проект исследует эскапизм изнутри: не как уход от реальности, а как иллюзию, которую можно деконструировать через игровую среду. магистратура «Практики современного искусства» — для тех, кто хочет работать на стыке живописи, …
❤3💯1🕊1
работы наших кураторов и художников на выставке в Галерее Школы дизайна! смотрим вживую до 25 августа а также приглашаем на кураторскую экскурсию с Маргаритой Есенковой 13 августа → → по регистрации 💌
✍2❤2😍2
Художники на выставке о книге ⚡️ В каждом разделе «Искусства книги. От знака к медиа» рядом с работами студентов и выпускников Школы дизайна — произведение современного художника. Не иллюстрация к теме, а самостоятельное высказывание: о знаке, полосе, развороте, блоке, объекте и медиа. Перевёрнутый стеллаж, балансирующие книжные блоки с выжженным содержимым, диптих как разомкнутый разворот, стихии как древнейший ал…
❤2👏2😍2
art vs artist 💌💓 на фото — студенты / выпускники направления «Современное искусство» и их работы с выставки «Великий беспорядок». если хотите оказаться здесь — время ещё есть, но его становится меньше. → бакалавриат — приём документов на коммерческие места открыт до 3 августа. 22 июля уже вышли результаты первой волны — процесс идёт. → магистратура — приём документов до 8 августа, бюджет и коммерция. что нужно: з…
❤6
а вот и первые фотки с открытия 🔴 вчера в ЦТИ «Фабрика» открылась персональная выставка Константина Аджера, руководителя профиля «Современное искусство» Школы дизайна НИУ ВШЭ. «Рэд сэллс бэст» — иронично-серьёзное высказывание о красном цвете, его символике и способности влиять на ценность произведения. художник исследует, как красный продаёт себя сам: критикуя логику «мира наживы», одновременно предлагает зрителю …
саунд-арт как способ говорить о любви без стигмы 🎙️ 💌 студент III курса профиля #саунд_арт Артём Ларионов создал проект «+» (Positive) — серию звуковых и визуальных работ об опыте жизни рядом с близкими людьми с ВИЧ-положительным статусом. проект поддержал и опубликовал фонд СПИД.ЦЕНТР. в центре — не диагноз, а человеческие отношения. звуковая инсталляция «11» — одиннадцать будильников, настроенных на время приёма …
Showing the 8 most recent of 8 posts we hold for @hse_art. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Republishes
Channels on the register whose posts this channel has forwarded.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Named by 4 registered channels — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
Names
Channels on the register whose handles appear in this channel's posts.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
The reverse of the list above, and a different kind of signal. This does not require this channel to have ever been asked about directly — each row below is a channel we DID ask Telegram about, whose Telegram-generated list happened to include this one. A channel can appear here with an empty list above it, because being named by someone else’s query is independent of having been queried itself.
This channel appears in 1 seed channel's Telegram-generated recommendation list in total. Each is Telegram’s list for THAT channel, not this one — see how this is measured.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 16 September 2026 — this entry's latest reading, not the date you are reading this.
“ART.HSE | Современное искусство” (@hse_art), 3,123 subscribers as measured 16 September 2026. Telegram Register, tgregister.com/channel/hse_art.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.