Channel
@nik_po_composer
On this record: Topic · Growth · Engagement · Reactions · Posts · Citations · Cite this entry
464subscribers
-2 since we began measuring on 6 August 2026
Risers and fallers across the register · movement among entries of Under 1,000.
| Telegram ID | -1002057233151 |
|---|---|
| Type | Channel |
| Username | @nik_po_composer |
| Created | Between 1 November 2023 and 31 May 2024 — estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 6 August 2026 |
| Last confirmed live | 14 September 2026 |
| Measurements held | 5 |
| Confirmed unchanged | 3 times, most recently 14 September 2026 |
| On Telegram | t.me/nik_po_composer |
Music — a classification, not a measurement. An on-box language model (Qwen3.6-35B-A3B-FP8, prompt version 1) read this channel’s own recent posts on 21 September 2026 and assigned it the closest of 31 fixed categories, at 98% confidence. This is a model’s judgement about what the channel is likely to be about, not a fact this register measured the way a subscriber count or a view count is measured — it can be revised on a later pass, and it carries no weight anywhere else on this page. How this classification works, and why it has no browse page of its own yet.
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 29 Aug 2026, 06:52 | 464 | -2 |
| 22 Aug 2026, 04:58 | 466 | -1 |
| 14 Aug 2026, 21:46 | 467 | +1 |
| 6 Aug 2026, 19:03 | 466 | no change |
| 6 Aug 2026, 12:33 | 466 | first reading |
15 posts held, back to 30 May 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 page of Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 15 posts for this entry, the most recent from 27 July 2026. An engagement rate over an empty window would be a number about nothing.
150 reactions across 14 posts, in 11 distinct kinds. The most used accounts for 62.7% of them.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| ❤ | 94 | 62.7% | |
| 🔥 | 29 | 19.3% | |
| 👍 | 10 | 6.67% | |
| ❤🔥 | 6 | 4.00% | |
| ⚡ | 3 | 2.00% | |
| custom 5408825364380135639 | 2 | 1.33% | |
| 👏 | 2 | 1.33% | |
| 🏆 | 1 | 0.667% | |
| 💔 | 1 | 0.667% | |
| 😱 | 1 | 0.667% | |
| 🙏 | 1 | 0.667% |
Custom emoji. One row above is a Telegram custom emoji, which the public preview renders as an element carrying only a numeric id — no character, and no image we can reach. The id is printed as-is rather than substituted with a look-alike glyph, because a stand-in would be our invention showing where a measurement should be. The count beside it is Telegram’s.
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 14 of the 15 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 150 reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 15 most recent posts we hold, published 30 May 2026 to 27 July 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
«Сама иду по каменю» — календарная хороводная песня Брянской области в прочтении композитора Николая Попова. 💙 Полная версия Композитор: Николай Попов Дирижёр: Фёдор Безносиков Российский Национальный Молодёжный Симфонический Оркестр Видео: Московская филармония
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Всероссийская премьера! «Сама иду по каменю» — календарная хороводная песня Брянской области в прочтении композитора Николая Попова. Из трансляции концерта Zventa Sventana в зале им. Чайковского. 💙 Полная версия Эта старинная карагодная песня исполнялась на праздник Вознесения в юго-западной русской традиции. Фольклористы записали ее в Брянской области, селе Верещаки Новозыбковского района, где сформировался особый…
❤7👍3🔥3
В среду сыграем перформанс на выставке «Экстракт звука»
❤2❤🔥2
🟢Перформанс на выставке «Экстракт звука» 22 июля в 20:00 Арт-пространство «Артемьев» | Б. Никитская, 13 👉Билеты Приглашаем на заключительное событие июля в арт-пространстве «Артемьев» — перформанс на выставке «Экстракт звука». В течение вечера Юлия Мигунова и Николай Попов будут взаимодействовать с интерактивным звуковым модулем «Аргонафт», представленным в экспозиции, а также с инструментами Сергея Филатова из к…
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Если вы уже были на выставке, то наверняка задержались у их «Тёмной материи» — одной из самых необычных и технически сложных инсталляций в экспозиции 👀 🔗 Внутри открытого рояля здесь работают промышленные роботы, исследуя новые способы рождения звука. Поговорили с Дмитрием и Николаем подробнее об их практике и взглядах на медиаискусство. Читайте новый выпуск блиц-интервью ➡️
❤7🔥2💔1
Вот такие мы раньше импровизационные сеты играли. Послушайте!
❤2
Продолжаю разгребать архивы прошлого и постепенно делиться Был у нас прекрасный период с Колей Поповым и Петей Ившиныи когда мы играли экспериментальные концерты, это было на фестивале в Челябинске Pulse https://youtu.be/lnn1X1V4y48?is=ztsQe2wEnTiXThD9
❤9❤🔥1👍1
Друзья! 🔉🔉🔉 Кто хочет познать на практике модульный синтез? Всем сюда!
❤1
💚CEAM.Education возвращается! В июле мы проведем в арт-пространстве «Артемьев» авторский курс Федора Веткалова — «Модульные синтезаторы: теория и практика». Что это за курс? Это интенсив с занятиями два раза в неделю, в рамках которого вы сможете узнать об устройстве и истории модульных систем, научиться работать с ними и применять их в своих проектах. Также вы познакомитесь с основами создания звука с нуля и погру…
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Video message, posted without a caption
❤9🔥5custom 54088253643801356392👏1
Video message, posted without a caption
❤10🔥3👏1
Photo, posted without a caption
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Showing the 12 most recent of 15 posts we hold for @nik_po_composer. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Republishes
Channels on the register whose posts this channel has forwarded.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Named by 3 registered channels — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
Names
Channels on the register whose handles appear in this channel's posts.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 29 August 2026 — this entry's latest reading, not the date you are reading this.
“Николай Попов” (@nik_po_composer), 464 subscribers as measured 29 August 2026. Telegram Register, tgregister.com/channel/nik_po_composer.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.