Channel
@paintingwithlight
On this record: Growth · Engagement · What this channel posts · Reactions · Posts · Citations · Cite this entry
25subscribers
+0 since we began measuring on 13 August 2026
Risers and fallers across the register · movement among entries of Under 1,000.
| Telegram ID | -1002238818410 |
|---|---|
| Type | Channel |
| Username | @paintingwithlight |
| Created | Between 1 June 2024 and 30 September 2024 — estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 13 August 2026 |
| Last confirmed live | 18 September 2026 |
| Measurements held | 2 |
| Confirmed unchanged | 6 times, most recently 18 September 2026 |
| On Telegram | t.me/paintingwithlight |
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 13 Aug 2026, 07:44 | 25 | no change |
| 13 Aug 2026, 04:02 | 25 | first reading |
18 posts held, back to 3 March 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 page of Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 18 posts for this entry, the most recent from 26 April 2026. An engagement rate over an empty window would be a number about nothing.
Measured directly from 4 videos with a duration reading, out of the posts we hold for this channel — not this channel’s whole posting history, only the sample this register has actually read. An exact reading to the second, taken from the post itself rather than from Telegram’s own rounded chrome, so it carries no ≈ mark.
33 reactions across 13 posts, in 8 distinct kinds. The most used accounts for 42.4% of them.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| ❤ | 14 | 42.4% | |
| 🔥 | 9 | 27.3% | |
| ❤🔥 | 3 | 9.09% | |
| 😍 | 2 | 6.06% | |
| 🥰 | 2 | 6.06% | |
| 👍 | 1 | 3.03% | |
| 😇 | 1 | 3.03% | |
| 🦄 | 1 | 3.03% |
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 13 of the 18 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 33 reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 18 most recent posts we hold, published 3 March 2026 to 26 April 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
And then a parallel emerged: perhaps the vessel is the human body, in which the soul is not simply placed, but matures — like wine. In Vino Veritas = In Anima Veritas? I began thinking about Amrita and the philosopher’s stone as the essence of the immortal soul. If Amrita is the soul, then the vessel is the body, and the crystal stopper is the heart that holds the truth within. The golden ether became that essence,…
❤3🦄1
A few days ago, I received an unusual creative task: to imagine myself as a cork. At first second, I had no idea how to approach it — but literally a few minutes later, this image appeared. A crystal‑shaped cork closing a vessel containing Amrita. But Amrita is usually imagined as a liquid, while what I saw was something more like Ether 🤔 So I continued to explore the image that had come to me. I realized that I ne…
❤🔥3🔥2
The observer creates the observed. And you can choose what to observe. It’s not a creator in the past, a creator in the present, or a creator in the future. It’s the state of being a creator itself. And in the present, it is the most fulfilling. The creator is always in the present.
🔥3
Now I look at her, and she evokes many associations connected with the idea of the Trinity. I thought about dawn, midday, and evening. About how the sun, when it rises and sets, also resembles the waxing and waning moon — the growing sun, the full sun, the fading sun. But here all three states exist at the same time. Like the Trinity of Time. The past, the present, and the future. The central image is the one that s…
Perhaps this is one of my longest paintings, even though at first glance it may seem quite simple. And perhaps it is not even fully finished yet. I can say that it was a fascinating process of living within the space together with the painting — a mutual transformation, a path whose meaning lies in the path itself: rebirth, gathering, concentration, and manifestation.
❤2
That’s when I felt the desire to paint her. I chose a canvas with a meditative background I had created earlier and slowly worked on her image, beginning at the autumn Equinox and the November Navaratri, giving her attention during New Moons and Full Moons, and finishing now — at the spring Equinox, New Moon, and the March Navaratri.
❤2🔥1
A couple of years ago, during one of my moon‑related energy meditations, I saw a female figure with three faces. Not knowing who she was, I began searching — and almost immediately I came across the Triple Moon Goddess. After reading about her, I forgot for a while, until last year, just before the autumn Equinox, her image appeared to me again.
Sometimes it can be helpful to press the reset button on our internal computer—to refresh our perceptions, allow our inner child to emerge, and set aside everything we’ve learned over the years. To unlearn something in order to learn it again—if only to allow ourselves to see, live, and create in a new way: fresher, more sincere, with a deeper sense of curiosity toward life itself.
❤3
Picasso once said: "It took me four years to learn to draw like Raphael, and a lifetime to learn to draw like a child."
🥰2
One of my paintings from last year, "Himalayan Meditation," and the shimmering rainbow light falling upon it. Co-creation with light. The light itself, whether from the sun, the moon, fire, or simply lamps... for me, it's like the creation of an unrivaled creator playing with space.
🔥2❤1👍1
I feel a great potential in free creative practices — free movement, free clay sculpting, free drawing, and free painting — practices where the value often lies not in the final result, but in the process itself: captivating, alive, and liberating. They can bring you back to a clearer sense of your true self — a self untouched by learned programs, external narratives, and your own familiar expectations.
I also noticed an unexpected analogy between free movement and the practice of free writing. I think many people know free writing practice — when you sit down, take a pen and a paper, and start writing everything that comes to mind. Sometimes the first lines are simply: “I don’t know what to write.” But gradually the thoughts begin to flow more freely, the tension softens, and a sense of clarity in the mental strea…
🔥1
Showing the 12 most recent of 18 posts we hold for @paintingwithlight. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Named by 1 registered channel — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 13 August 2026 — this entry's latest reading, not the date you are reading this.
“Painting with light✨” (@paintingwithlight), 25 subscribers as measured 13 August 2026. Telegram Register, tgregister.com/channel/paintingwithlight.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.