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Channel

Охра | Фиджитал в искусстве

@phygitalgallery

On this record: Growth · Engagement · Reactions · Posts · Citations · Cite this entry

540subscribers

+9 since we began measuring on 7 August 2026

Risers and fallers across the register · movement among entries of Under 1,000.

Register entry

Telegram ID-1001622867743
TypeChannel
Username@phygitalgallery
CreatedBetween 1 December 2021 and 30 April 2023 — estimated from Telegram’s id allocation, not measured. How this range is calculated.
First recorded7 August 2026
Last confirmed live7 September 2026
Measurements held6
Confirmed unchanged1 time, most recently 7 September 2026
On Telegramt.me/phygitalgallery

Growth

5305405357 August 2026 — 531 subscribers7 August 2026 — 531 subscribers14 August 2026 — 530 subscribers22 August 2026 — 533 subscribers28 August 2026 — 535 subscribers7 September 2026 — 540 subscribers7 August 20267 September 2026
6 measurements spanning 31 days, net +9. Dots are measurements; the straight line between them is drawn to join them, not to claim we know the path taken in between — snapshots are recorded only when a count changes, so gaps mean “no change observed”, never “interpolated”. The vertical axis spans 529–542 and does not start at zero.
Measurement log — every subscribers count we have recorded
Measured (UTC)SubscribersChange
7 Sept 2026, 01:56540+5
28 Aug 2026, 22:46535+2
22 Aug 2026, 17:39533+3
14 Aug 2026, 17:34530-1
7 Aug 2026, 22:32531no change
7 Aug 2026, 05:33531first reading

Engagement

7 posts held, back to 1 July 2026the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 page of Telegram’s post history, 20 posts per page.

Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 7 posts for this entry, the most recent from 5 August 2026. An engagement rate over an empty window would be a number about nothing.

Reaction mix

45 reactions across 6 posts, in 6 distinct kinds. The most used accounts for 46.7% of them.

Every reaction kind recorded on the sample, most used first
ReactionCountShareShare, drawn
2146.7%
🔥1635.6%
❤‍🔥511.1%
👏12.22%
😇12.22%
🤝12.22%

No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.

Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.

Coverage. Reactions were read on 6 of the 7 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 45 reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.

Measured over the 7 most recent posts we hold, published 1 July 2026 to 5 August 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.

Recent posts

5 Aug 2026, 09:22 UTC37 views5 reactionsread 7 August 2026
Photo

⚡ Василисса Саврасова — резидентка фиджитал-галереи «Охра», медиахудожница, создающая завораживающие световые скульптуры. Выпускница Академии им. Штиглица объединяет в своих работах физический объем, живопись, свет и звук. Василисса синтезирует свет и прозрачную материю, превращая их в единые аудиовизуальные объекты. Свой метод художница описывает так: «Прозрачный мерцающий объем, вылепленный из света, — основа мое

5

3 Aug 2026, 19:54 UTC62 views5 reactionsread 7 August 2026
Photo

Открыты к партнерству! Фиджитал-галерея «Охра» ищет партнера для проведения выставки «Драгоценные камни в яблоках искушения». По запросу вышлем подробную презентацию проекта. Мы не ищем финансовой поддержки!!! Нам нужна исключительно площадка для реализации проекта. ✅ Что получает ваш бренд? Сотрудничество с искусством — мощный инструмент коммуникации. Предоставляя пространство, вы получаете: • Бесплатную реклам

4🤝1

28 Jul 2026, 11:58 UTC87 views6 reactionsread 7 August 2026
Video

Рубрика: #медиагалерист Руководитель фиджитал-галереи «Охра» Елена отвечает на вопрос: почему так мало галерей, работающих с медиаискусством? Медиаискусство остается одной из самых сложных территорий современного арт-рынка. Оно требует иной оптики: здесь недостаточно привычных моделей коллекционирования, экспонирования и продажи. За каждым произведением стоит не только художественное высказывание, но и целая инфра

🔥32😇1

6 Jul 2026, 13:49 UTC161 views11 reactionsread 7 August 2026
Photo

#ДАЙДЖЕСТ События, в которых принимают участие резиденты нашей фиджитал-галереи «Охра», а также с мероприятиями самой галереи. ✅ 1__________ Что: выставка «У реки 2 берега» (Художники Березового промпта) Когда: 21 марта-30 августа Где: Суздаль, Мира центр, Коллайдер. Кто: художник Слава SAF, резидент нашей галереи А также художники, принимавшие участие в фестивале видеоарта VIDEODROME: Валерия Титова, Миша Надым

6🔥4👏1

2 Jul 2026, 16:22 UTC308 views11 reactionsread 7 August 2026
Video

Рубрика: #отвечаем На вопросы об искусстве ⚡ Почему мы привыкли считать, что видеоарт — это исключительно видео на экране? Действительно ли формат определяет жанр? Что общего у залитых бетоном телевизоров и классических проекций? И как коммерческий рынок заставил нас верить в заблуждение, которое длится до сих пор? Отвечаем на вопросы в видео! Список упоминаний в видео: Becoming Light, Билл Виола, 2005 INVERSO MU

🔥6❤‍🔥5

1 Jul 2026, 16:03 UTC111 views7 reactionsread 7 August 2026
Photo

Знакомьтесь, Надя Фон Штерн — резидент нашей фиджитал-галереи «Охра». Её искусство — это пространство между физическим и эфемерным, так называемые «путешествия» из традиции к цифровому искусству и пиксель-арту и в обратную сторону, которые стали для художницы способом концептуального исследования мобильности искусства. Надя создает миры, в которых эстетика Средневековья встречается с графикой видеоигр. Это «тревожна

4🔥3

Showing the 7 most recent of 7 posts we hold for @phygitalgallery. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.

Forward network

Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.

Mentions

Named by 5 registered channels — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.

A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.

Cite this entry

A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 7 September 2026 — this entry's latest reading, not the date you are reading this.

“Охра | Фиджитал в искусстве” (@phygitalgallery), 540 subscribers as measured 7 September 2026. Telegram Register, tgregister.com/channel/phygitalgallery.

Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.