Channel
@pianissimo_live
On this record: Topic · Growth · Engagement · Posts · Citations · Telegram's recommendations · Cite this entry
2,794subscribers
-34 since we began measuring on 6 August 2026
Risers and fallers across the register · movement among entries of 1,000–3,162.
| Telegram ID | -1001781999638 |
|---|---|
| Type | Channel |
| Username | @pianissimo_live |
| Created | Between 1 December 2021 and 30 April 2023 — estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 6 August 2026 |
| Last confirmed live | 18 September 2026 |
| Measurements held | 15 |
| Confirmed unchanged | 1 time, most recently 18 September 2026 |
| On Telegram | t.me/pianissimo_live |
Music — a classification, not a measurement. An on-box language model (Qwen3.6-35B-A3B-FP8, prompt version 1) read this channel’s own recent posts on 15 September 2026 and assigned it the closest of 31 fixed categories, at 99% confidence. This is a model’s judgement about what the channel is likely to be about, not a fact this register measured the way a subscriber count or a view count is measured — it can be revised on a later pass, and it carries no weight anywhere else on this page. How this classification works, and why it has no browse page of its own yet.
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 18 Sept 2026, 10:58 | 2,794 | +6 |
| 14 Sept 2026, 09:18 | 2,788 | -4 |
| 10 Sept 2026, 17:40 | 2,792 | -11 |
| 5 Sept 2026, 17:55 | 2,803 | -3 |
| 1 Sept 2026, 23:48 | 2,806 | -5 |
| 30 Aug 2026, 02:47 | 2,811 | -4 |
| 26 Aug 2026, 22:45 | 2,815 | -5 |
| 23 Aug 2026, 14:07 | 2,820 | +3 |
| 20 Aug 2026, 03:33 | 2,817 | -5 |
| 16 Aug 2026, 21:34 | 2,822 | -5 |
| 13 Aug 2026, 04:14 | 2,827 | +1 |
| 10 Aug 2026, 10:13 | 2,826 | -3 |
| 7 Aug 2026, 20:33 | 2,829 | +1 |
| 6 Aug 2026, 23:15 | 2,828 | no change |
| 6 Aug 2026, 23:03 | 2,828 | first reading |
5 posts held, back to 5 August 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 2 pages of Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 5 posts for this entry, the most recent from 7 August 2026. An engagement rate over an empty window would be a number about nothing.
Есть одна закономерность, которая редко бросается в глаза. Многие выдающиеся пианисты XX века были коллекционерами. Они собирали живопись, графику, редкие книги, рукописи, предметы декоративного искусства. Не потому, что это было престижно. И не потому, что искусство рассматривалось как инвестиция. Коллекция становилась ещё одним способом понимать мир. Для Альфреда Корто предметом коллекционирования была память. Он…
Джан Сарач: «Самое важное — продолжать расти как музыкант и оставаться верным себе» Этим летом турецкий пианист Джан Сарач вновь стал участником фестиваля Pianissimo в Санкт-Петербурге. Для артиста это уже не первое выступление на фестивале: в 2022 году он вошел в историю Pianissimo как самый молодой приглашенный пианист, а сегодня его имя уже хорошо известно международной музыкальной публике. За последние годы Сара…
3 августа в Большом Итальянском просвете Государственного Эрмитажа состоялся сольный концерт Валентина Малинина в рамках Летнего фестиваля Pianissimo. Валентин — один из постоянных участников фестиваля и пианист, за творческим развитием которого мы с особым интересом наблюдаем уже несколько лет. Каждое его новое выступление подтверждает редкое сочетание безупречного мастерства, интеллектуальной глубины и внутренней …
Стравинский: искусство всегда быть современным История Игоря Стравинского — это не только история выдающегося композитора. Это история человека, который удивительно тонко чувствовал движение времени и понимал, что великий художник не существует вне культурного контекста своей эпохи. В отличие от многих русских музыкантов начала XX века, Стравинский покинул Россию не по политическим причинам. Его влекло другое — жел…
2 августа с сольным концертом в Большом петергофском дворце выступил пианист из Южной Кореи Моён Юн. Его выступление завершило летнюю серию фестиваля Pianissimo в Петергофе. Для своего первого концерта в России Моён выбрал программу, в которой каждое произведение требует зрелости исполнительского мышления: «Крейслериану» Роберта Шумана, Фантазию си минор Александра Скрябина, Прелюдию и фугу до-диез минор Иоганна Себ…
Showing the 5 most recent of 5 posts we hold for @pianissimo_live. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Named by 8 registered channels — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
The reverse of the list above, and a different kind of signal. This does not require this channel to have ever been asked about directly — each row below is a channel we DID ask Telegram about, whose Telegram-generated list happened to include this one. A channel can appear here with an empty list above it, because being named by someone else’s query is independent of having been queried itself.
This channel appears in 4 seed channels' Telegram-generated recommendation lists in total. Each is Telegram’s list for THAT channel, not this one — see how this is measured.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 18 September 2026 — this entry's latest reading, not the date you are reading this.
“Фестиваль Pianissimo” (@pianissimo_live), 2,794 subscribers as measured 18 September 2026. Telegram Register, tgregister.com/channel/pianissimo_live.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.