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Channel

videotanz

@videotanzru

On this record: Topic · Growth · Engagement · Reactions · Stars · Posts · Citations · Cite this entry

2,330subscribers

+26 since we began measuring on 7 August 2026

Risers and fallers across the register · movement among entries of 1,000–3,162.

Register entry

Telegram ID-1001217686945
TypeChannel
Username@videotanzru
Created21 December 2020measured — cross-checked against a third-party dataset (ext.tg_channel)
First recorded7 August 2026
Last confirmed live19 September 2026
Measurements held14
Confirmed unchanged1 time, most recently 19 September 2026
On Telegramt.me/videotanzru

Topic

Other / unclassifiable — a classification, not a measurement. An on-box language model (Qwen3.6-35B-A3B-FP8, prompt version 1) read this channel’s own recent posts on 16 September 2026 and assigned it the closest of 31 fixed categories, at 87% confidence. This is a model’s judgement about what the channel is likely to be about, not a fact this register measured the way a subscriber count or a view count is measured — it can be revised on a later pass, and it carries no weight anywhere else on this page. How this classification works, and why it has no browse page of its own yet.

Growth

2,2902,3302,3107 August 2026 — 2,304 subscribers7 August 2026 — 2,304 subscribers8 August 2026 — 2,305 subscribers14 August 2026 — 2,308 subscribers17 August 2026 — 2,292 subscribers20 August 2026 — 2,290 subscribers24 August 2026 — 2,292 subscribers26 August 2026 — 2,295 subscribers30 August 2026 — 2,307 subscribers2 September 2026 — 2,298 subscribers6 September 2026 — 2,316 subscribers11 September 2026 — 2,318 subscribers14 September 2026 — 2,320 subscribers19 September 2026 — 2,330 subscribers7 August 202619 September 2026
14 measurements spanning 43 days, net +26. Dots are measurements; the straight line between them is drawn to join them, not to claim we know the path taken in between — snapshots are recorded only when a count changes, so gaps mean “no change observed”, never “interpolated”. The vertical axis spans 2,284–2,336 and does not start at zero.
Measurement log — every subscribers count we have recorded
Measured (UTC)SubscribersChange
19 Sept 2026, 10:022,330+10
14 Sept 2026, 18:382,320+2
11 Sept 2026, 10:202,318+2
6 Sept 2026, 18:142,316+18
2 Sept 2026, 01:472,298-9
30 Aug 2026, 09:542,307+12
26 Aug 2026, 23:252,295+3
24 Aug 2026, 02:342,292+2
20 Aug 2026, 20:472,290-2
17 Aug 2026, 23:442,292-16
14 Aug 2026, 19:172,308+3
8 Aug 2026, 11:252,305+1
7 Aug 2026, 20:182,304no change
7 Aug 2026, 20:022,304first reading

Engagement

20 posts held, back to 23 May 2026the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 page of Telegram’s post history, 20 posts per page.

Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 20 posts for this entry, the most recent from 5 August 2026. An engagement rate over an empty window would be a number about nothing.

Reaction mix

75 reactions across 17 posts, in 4 distinct kinds. The most used accounts for 64.0% of them.

Every reaction kind recorded on the sample, most used first
ReactionCountShareShare, drawn
4864.0%
🔥2330.7%
👍34.00%
👏11.33%

No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.

Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.

Coverage. Reactions were read on 17 of the 20 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 75 reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.

Measured over the 20 most recent posts we hold, published 23 May 2026 to 5 August 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.

Telegram Stars

Stars received
7
across the posts below
Posts paid on
5
of 20 we hold a reading for · 25%
Most on one post
3
single highest reading

A paid reaction is a reader spending Telegram Stars — bought with money — on a post by @videotanzru. Telegram publishes the count on the public post preview alongside ordinary reactions, and this register reads it there. It is the only figure on this site that measures money moving rather than attention.

Stars are not reactions, and the two are never added. They are rendered in the same strip on Telegram and counted in the same shape, but one is a tap and the other is a purchase. The reaction totals and the engagement rate elsewhere on this page exclude every figure in this section, and no rate here is computed against a reaction count.

This is not revenue, and we publish no currency figure. What a Star costs a reader and what it pays a channel are different numbers, Telegram takes a share we cannot observe, and the terms have changed. Converting a Star count into money would be an estimate dressed as a measurement, so the count is where we stop.

Counted over the 20 most recent posts we hold for this entry, published 23 May 2026 to 5 August 2026. Star counts above 1,000 reach us in Telegram’s short form and carry the same three-significant-figure rounding as everything else on this page.

Recent posts

5 Aug 2026, 19:22 UTC300 viewsread 7 August 2026
Forwarded from @cinedance

​​Друзья, у нас осталось 11 дней крауд-кампании. До успешного сбора 50% нам нужно собрать 150 000 ₽. Если 300 человек поддержат нас по 500 ₽ — мы закроем сбор, сможем вывести средства. Этого нам хватит полностью на работу над звуком, и мы начнём работу над цветом. 500 ₽ — это цена чашки кофе, но можно по этой цене создать фильм! Один раз выбрав КИНО ВМЕСТО КОФЕ, вы станете причастным к созданию фильма.

3 Aug 2026, 20:10 UTC447 views1 reactionsread 7 August 2026
Photo

Noverre’21 Noverre: Young Choreographers 2021 continued the Stuttgart Ballet's long-standing tradition of fostering emerging choreographic talent, presenting seven original creations by members of the company. Founded in 1961 by John Cranko and Fritz Höver, Noverre has become one of the world's most influential choreographic laboratories, launching the careers of artists such as Jiří Kylián, John Neumeier and Willia

🔥1

30 Jul 2026, 16:39 UTC568 views4 reactions1 Starread 7 August 2026
Photo

Empty House #Johan_Inger Empty House is one of Swedish choreographer Johan Inger‘s most acclaimed contemporary works, renowned for its striking physicality, emotional intensity, and sophisticated musicality. Originally created for Nederlands Dans Theater and later staged by numerous international companies, including NTM Tanz (Nationaltheater Mannheim), the ballet exemplifies Inger’s distinctive choreographic voice,

🔥4

28 Jul 2026, 16:13 UTC544 views4 reactions1 Starread 7 August 2026
Photo

Medea #Thomas_Noone #Münster_Tanztheater Thomas Noone‘s Medea is a compelling contemporary dance interpretation of one of the most powerful tragedies of classical antiquity. Inspired by Euripides’ timeless drama, the production abandons literal storytelling in favour of an intensely physical exploration of betrayal, love, revenge, and loss. Through a sophisticated movement vocabulary and expressive ensemble work...

3🔥1

27 Jul 2026, 17:36 UTC608 views3 reactions1 Starread 7 August 2026
Photo

Lied Ballet #La_Maison_de_la_danse_de_Lyon #Thomas_Lebrun Lied Ballet is one of French choreographer Thomas Lebrun‘s most celebrated creations, premiered in 2014 and developed in collaboration with the Maison de la Danse de Lyon. Conceived as a dialogue between the traditions of Romantic music and contemporary choreography, the work revisits the German Lied – the intimate nineteenth-century art song – and transforms

2👏1

26 Jul 2026, 11:14 UTC572 viewsread 7 August 2026
Photo

Analogy/Ambros: The Emigrant #Bill_T_Jones Analogy/Ambros: The Emigrant is the culminating chapter of Bill T. Jones‘ Analogy Trilogy, an ambitious dance-theatre project that explores memory, identity, migration, and the enduring impact of personal history. Inspired by the character Ambros Adelwarth from W. G. Sebald’s acclaimed novel The Emigrants https://videotanz.ru/dance/analogy-ambros-the-emigrant/

23 Jul 2026, 14:22 UTC647 views3 reactionsread 7 August 2026
Photo

Noverre’22 #Adrian_Oldenburger #Alessandro_Giaquinto #Sasha_Riva #Simone_Repele #Stuttgarter_Ballet #Timoor_Afshar The 2022 edition of Noverre: Young Choreographers, presented by the Stuttgart Ballet, once again celebrated the creativity of the company’s emerging choreographic voices. Established in 1961 by John Cranko, the Noverre evenings provide dancers with the rare opportunity to develop and present original wo

3

19 Jul 2026, 11:11 UTC651 views3 reactionsread 7 August 2026
Photo

Oeil pour œil #Jean_Christophe_Maillot #Les_Ballets_de_Monte_Carlo Oeil pour œil (“Eye for an Eye”) is a powerful contemporary ballet by acclaimed French choreographer Jean-Christophe Maillot, Artistic Director of Les Ballets de Monte-Carlo. Inspired by themes of justice, revenge, compassion, and the fragile balance between violence and reconciliation, the work explores the complex moral choices that shape human exi

3

16 Jul 2026, 19:24 UTC739 views1 reactionsread 7 August 2026
Photo

La Chambre d’Amour #Thierry_Malandain #Malandain_Ballet_Biarritz La Chambre d’Amour is a lyrical contemporary ballet by French choreographer Thierry Malandain, Artistic Director of Malandain Ballet Biarritz. Created as a tribute to the landscapes and cultural identity of France’s Basque coast, the work takes its title from the celebrated beach La Chambre d’Amour in Anglet, a place surrounded by local legends of love

🔥1

12 Jul 2026, 20:30 UTC801 views2 reactionsread 7 August 2026
Photo

Un saut dans le bleu #Carolyn_Carlson #Ballet_du_Capitole Un saut dans le bleu (A Leap into the Blue) is a large-scale contemporary dance creation by the legendary choreographer Carolyn Carlson, created for the Ballet of the Opéra national du Capitole in Toulouse. Drawing upon more than five decades of artistic exploration, Carlson presents what she describes as a work of “visual poetry,” inviting audiences into a c

👍1🔥1

7 Jul 2026, 19:10 UTC≈1,600 views11 reactionsread 7 August 2026

🎬 Поддержим новый фильм Дины Верютиной! Думаю, многие из вас знают Дину Верютину - режиссера документального кино и кинотанца, исследователя этого жанра и автора Telegram-канала кинотанец_туда_обратно. Дина уже много лет занимается развитием кинотанца в России, снимает авторские фильмы, курирует образовательные проекты и участвует в международных фестивалях. Сейчас Дина работает над своим дебютным полнометражным фи

11

3 Jul 2026, 14:10 UTC820 viewsread 7 August 2026
Photo

All Lang #Jessica_Lang #Pacific_Northwest_Ballet All Lang is a compelling triple bill celebrating the artistry and creative vision of Jessica Lang, Resident Choreographer of the Pacific Northwest Ballet. Bringing together three distinctive works – Her Door to the Sky, Ghost Variations, and ZigZag – the programme showcases the remarkable breadth of Lang’s choreographic language, from lyrical abstraction and emotional

Showing the 12 most recent of 20 posts we hold for @videotanzru. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.

Stars beside a post are paid reactions — Telegram Stars, bought with money and spent on that post. They are a different unit from reactions and are never added to them, here or anywhere else on this page.

Forward network

Republished by

Channels on the register that have forwarded this channel's posts into their own feed.

Republishes

Channels on the register whose posts this channel has forwarded.

Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.

Mentions

Names

Channels on the register whose handles appear in this channel's posts.

A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.

Cite this entry

A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 19 September 2026 — this entry's latest reading, not the date you are reading this.

“videotanz” (@videotanzru), 2,330 subscribers as measured 19 September 2026. Telegram Register, tgregister.com/channel/videotanzru.

Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.