Education — a classification, not a measurement. An on-box language model (Qwen3.6-35B-A3B-FP8, prompt version 1) read this channel’s own recent posts on 14 September 2026 and assigned it the closest of 31 fixed categories, at 82% confidence. This is a model’s judgement about what the channel is likely to be about, not a fact this register measured the way a subscriber count or a view count is measured — it can be revised on a later pass, and it carries no weight anywhere else on this page. How this classification works, and why it has no browse page of its own yet.
Growth
14 measurements spanning 41 days, net +91. Dots are measurements; the straight line between them is drawn to join them, not to claim we know the path taken in between — snapshots are recorded only when a count changes, so gaps mean “no change observed”, never “interpolated”. The vertical axis spans 3,276–3,397 and does not start at zero.
Measurement log — every subscribers count we have recorded
Measured (UTC)
Subscribers
Change
16 Sept 2026, 15:20
3,383
+17
13 Sept 2026, 02:58
3,366
+10
9 Sept 2026, 12:38
3,356
+15
3 Sept 2026, 21:37
3,341
+3
31 Aug 2026, 11:06
3,338
+8
28 Aug 2026, 07:03
3,330
+10
25 Aug 2026, 08:45
3,320
+22
21 Aug 2026, 23:27
3,298
+3
18 Aug 2026, 16:04
3,295
+5
15 Aug 2026, 15:34
3,290
-6
12 Aug 2026, 03:26
3,296
+2
9 Aug 2026, 11:33
3,294
+2
6 Aug 2026, 08:50
3,292
no change
6 Aug 2026, 08:49
3,292
first reading
Engagement
20 posts held, back to 20 July 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 3 pages of Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 20 posts for this entry, the most recent from 7 August 2026. An engagement rate over an empty window would be a number about nothing.
What this channel posts
Video runtime
1h 39m
Average length
49m 36s
Measured directly from 2 videos with a duration reading, out of the posts we hold for this channel — not this channel’s whole posting history, only the sample this register has actually read. An exact reading to the second, taken from the post itself rather than from Telegram’s own rounded chrome, so it carries no ≈ mark.
Reaction mix
53 reactions across 17 posts, in 2 distinct kinds. The most used accounts for 88.7% of them.
Every reaction kind recorded on the sample, most used first
Reaction
Count
Share
Share, drawn
👍
47
88.7%
👎
6
11.3%
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 20 of the 20 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 61 reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 20 most recent posts we hold, published 20 July 2026 to 7 August 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
اگر به دنبال یک رزیدنسی بینالمللی برای توسعه پروژههای هنری، پژوهش و همکاری با هنرمندان و متخصصان از سراسر جهان هستید، TaDA – Textile and Design Alliance Artist Residency یکی از ارزشمندترین فرصتهای امسال در اروپا است.
📍 Location: Switzerland & Liechtenstein
🎨 Type: International Artist Residency
⏰ Application Deadline: 12 August 2026
چه کسانی میتوانند شرکت کنند؟
• Visual Artists
• Performance Artists
• Design…
….
هر کودک، یک جهان از خیال است. ✨
خانه نمایش خلاق برگ
🌿 ویژه خردسالان ۳ تا ۷ سال
در خانه نمایش خلاق برگ، یادگیری از دلِ بازی، قصه، حرکت و تجربه شکل میگیره.
اینجا خبری از کلاسهای تکراری نیست؛
کودکان با شاهنامه نقش بازی میکنن، با رنگها قصه میسازن، با گل خلق میکنن، با زبان بازی میکنن و با موسیقی، ریتم جهان را کشف میکنن.
ما باور داریم کودکان پیش از آنکه چیزی را حفظ کنند، باید آن را زندگی کنند.
اگه دوست دار…
••••
ورکشاپِ تخصصی
«از متن تا اجرا»
تجربهی عملی و کارگاهی خوانش، شناخت و تمرین متون نمایشی با رویکردِ تحلیلی و اجرایی
با حمید امجد
شنبهها ساعت ۱۸ تا ۲۱
۱۲ جلسه ۳ ساعته
تمرینهای جمعی در قالب گروه یا گروههای نمایشیِ متشکل از هنرجویان، و پیشبرد گام به گامِ مباحث در طیّ مراحلِ تمرین تا اجرای نمایش.
هنرجویان در این کارگاه مواجهه با متن، رابطهی گروهی در تئاتر، چرخشِ نقشها و جایگاهها در دادوستدِ کارگاهی و خلاق…
آن سوی آتش (1366)
کارگردان: کیانوش عیاری
نسخهی ترمیم شده با کیفیت 1080P
خلاصه فیلم:
نوذر پس از آزادی از زندان به سراغ برادر خود، عبدالحمید، میرود تا سهم خود را از پولی که شرکت نفت بابت تصاحب خانه آنها پرداخته بگیرد. عبدالحمید نگهبان شرکت نفت است. نوذر به عنوان کارگر حفاری در شرکت نفت مشغول کار میشود و به آسیه، دختر لال شیر فروش، دل میبندد. عبدالحمید از علاقه نوذر به آسیه خبردار میشود و برای آن که از شر نوذر …
••••
ورکشاپِ تخصصی
«نوشتن برای تغییر»
.
از روزنامهنگاری شهروندی تا روایتگری در شبکههای اجتماعی
با پژمان موسوی
۱۰ جلسه ۲ ساعته
چهارشنبهها ۱۸ تا ۲۰
حضوری و آنلاین
چرا مینویسیم؟ دغدغهی شخصی یا مسئلهی عمومی؟ آیا نوشتن یک کنش اجتماعی است؟ روزنامهنگاری شهروندی چه تفاوتی با روزنامهنگاری رسمی و حرفهای دارد؟ نوشتن در شبکههای اجتماعی از جمله اینستاگرام چه ویژگیها و مختصاتی دارد؟
مهارت مشاهده در روزنامهنگاری…
••••
کارگاه
بازآفرینی برای صحنه
استودیوی ترجمهی متون نمایشی
۸ جلسهی ۲ ساعته
حضوری و آنلاین
در دو کلاسِ جدا
در این دوره که بهصورت کارگاهی برگزار میشود هنرآموزان پس از گذراندن تست اولیهی ترجمه، دوجلسهی آموزشی را سپری خواهند کرد. سپس متنی را به انتخاب خودشان و با راهنمایی استاد ترجمه میکنند و در پایان دوره، ترجمههای شایسته به ناشرهای معتبر معرفی خواهند شد.
حمید دشتی
عضو شورای هنر کشور ایرلند
برنده و نامزد ج…
••••
سینمای ملودرام
از احساس تا ایدئولوژی
دبیرِ دوره: کیانوش اخباری
با حضور
مازیار اسلامی
سارا توکلی بینا
صالح نجفی
اردوان تراکمه
نوید پورمحمدرضا
پرنیان روشن
نمایش و تحلیل فیلم
۱۲ جلسه ۳ ساعته
دوشنبهها ۱۸ تا ۲۱
آنلاین و حضوری
شروع دوره ۱۲ مرداد
شهریه دوره: ۵ تومان 🌱
٪۱۵ تخفیف هنرآموزان برگ و دانشجویان
شهریه تکجلسه : ۴۵۰ تومان 🌱
••••
#موسسه_فرهنگی_هنری_برگ
02188103136
09907529807
instagram.com/barg_instit…
….
برایِ خردسالان
«خانه تابستانیِ برگ»
چشمانداز:
پرورش کودکانی که با تخیل، کنجکاوی و تجربه، جهان را کشف میکنند؛ کودکانی که میتوانند فکر کنند، احساس کنند، روایت بسازند و با دیگران ارتباطی خلاق و انسانی برقرار کنند.
مأموریت:
خلق فضایی امن و الهامبخش که در آن کودکان ۳ تا ۷ سال، از مسیر بازی، نمایش، قصه، هنر و تجربه، خود و جهان پیرامونشان را بشناسند. ما باور داریم یادگیری عمیق، زمانی اتفاق میافتد که کودک نقشآفرین…
••••
اتاقِ کتابِ برگ
فضایی برای خواندن، گفتگو و خلق
«باغان، آستانه جهان داستانی هوشنگ گلشیری»
همراه با محمد تقوی
دوشنبه ۱۲ مرداد
ساعت ۱۸
محمد تقوی نوشتن را از سال ۶۹ با شرکت در جلسات هوشنگ گلشیری در گالری کسری آغاز کرد. او سالها برای رادیو فرهنگ و برنامههایی مثل «کتاب شب» متن و نقد ادبی نوشت. همینطور در دهه هفتاد آثاری از او در نشریات ادبی معتبر منتشر شد. فعالیتهای ادبی و فرهنگی او با شرکت در تحریریه شمارگان…
فضایی برای خواندن، گفتگو و خلق
آنلاین و حضوری
https://t.me/+lwboKonNG7Y4YTc0
👍2
Showing the 12 most recent of 20 posts we hold for @barg_institute. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Forward network
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Mentions
Named by 4 registered channels — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
Handles this channel named that no longer answer
Dead references
1
handles named in this channel’s posts, vacant today
Evidenced gone
0
we ourselves saw one of these resolve, at some point
Never seen alive
1
vacant every time we have ever looked
@barg_institute named 1 handle that resolve to nothing today. That is a fact about the reference, not necessarily a fact about the handle’s history — see the two groups below.
Most of these may never have existed as a live channel at all. A handle a channel names can be a typo, an aspirational name nobody registered, or a channel that was already gone before this one ever mentioned it. Unless a row below is marked evidenced, all we know is that it references a handle that is not a live channel today — not that anything “died”. How this is measured.
Never seen alive
References a handle that is not a live channel — we have no record it ever was one.
@barginstitute named in 3 posts, 8 August 2026 – 8 August 2026
Appears in Telegram’s recommendations for other channels
The reverse of the list above, and a different kind of signal. This does not require this channel to have ever been asked about directly — each row below is a channel we DID ask Telegram about, whose Telegram-generated list happened to include this one. A channel can appear here with an empty list above it, because being named by someone else’s query is independent of having been queried itself.
مطالعات تئاتر️ 🕊️ @Theaterstudies · 34,282 Telegram ranks this channel #23 of 79 here — alongside 78 others — read 11 September 2026
پادکست، کتاب صوتی @radioketabdoni · 34,094 Telegram ranks this channel #25 of 67 here — alongside 66 others — read 10 September 2026
ذهنX @matrixmindio · 35,322 Telegram ranks this channel #31 of 70 here — alongside 69 others — read 2 September 2026
This channel appears in 3 seed channels' Telegram-generated recommendation lists in total. Each is Telegram’s list for THAT channel, not this one — see how this is measured.
Cite this entry
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 16 September 2026 — this
entry's latest reading, not the date you are reading this.
“موسسه فرهنگى و هنرى برگ” (@barg_institute), 3,383 subscribers as measured 16 September 2026. Telegram Register, tgregister.com/channel/barg_institute.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.