Film & TV — a classification, not a measurement. An on-box language model (Qwen3.6-35B-A3B-FP8, prompt version 1) read this channel’s own recent posts on 10 September 2026 and assigned it the closest of 31 fixed categories, at 100% confidence. This is a model’s judgement about what the channel is likely to be about, not a fact this register measured the way a subscriber count or a view count is measured — it can be revised on a later pass, and it carries no weight anywhere else on this page. How this classification works, and the other topics.
Growth
60 measurements spanning 91 days, net +708. Dots are measurements; the straight line between them is drawn to join them, not to claim we know the path taken in between — snapshots are recorded only when a count changes, so gaps mean “no change observed”, never “interpolated”. The vertical axis spans 22,116–23,037 and does not start at zero.
Measurement log — every subscribers count we have recorded, most recent 20 of 60
Measured (UTC)
Subscribers
Change
5 Nov 2026, 01:59
22,930
-1
4 Nov 2026, 00:30
22,931
+9
3 Nov 2026, 01:15
22,922
+4
2 Nov 2026, 04:01
22,918
+3
1 Nov 2026, 06:09
22,915
+6
31 Oct 2026, 04:51
22,909
+8
30 Oct 2026, 07:56
22,901
+6
29 Oct 2026, 09:21
22,895
+7
28 Oct 2026, 05:21
22,888
+6
27 Oct 2026, 07:40
22,882
-2
26 Oct 2026, 04:06
22,884
-4
25 Oct 2026, 02:17
22,888
+6
24 Oct 2026, 00:06
22,882
+10
22 Oct 2026, 23:56
22,872
+13
20 Oct 2026, 20:16
22,859
-1
19 Oct 2026, 22:09
22,860
+4
18 Oct 2026, 21:16
22,856
+6
18 Oct 2026, 00:49
22,850
-3
16 Oct 2026, 22:37
22,853
+16
15 Oct 2026, 21:40
22,837
first reading
Engagement
171 posts held, back to 21 July 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 106 pages of Telegram’s post history, 20 posts per page.
ERR · 30 days
12.7%
avg views ÷ 22,930 subscribers
Avg views / post
2,920
55 posts measured
Reaction rate
1.38%
reactions ÷ views · ER floor
Posts in window
55
of 171 held
ERR is average views per post over the last 30 days divided by subscribers, the definition TGStat uses, so this figure is comparable with the one you will see elsewhere. It falls structurally as a channel grows: a high ERR on a small channel and a low one on a large channel describe reach mathematics, not quality. We publish the figure and the sample it came from and pass no verdict on it.
ER is defined industry-wide as (forwards + reactions + comments) ÷ views — note the denominator is views, not subscribers. Telegram’s public web preview carries views and reactions but not forward or comment counts, so the reaction rate above is the reactions term only and is therefore a floor: the true ER for this channel is higher by an amount we have not measured and will not estimate.
What these figures were computed from
Window
Rolling 30 days · latest post in window 5 November 2026
Posts held
171 (21 July 2026 – 5 November 2026)
Views total
160,703
Reactions total
2,213
Forwards / comments
not exposed by the public surface — not measured, not estimated
Readings taken
5 Nov 2026, 14:25 UTC
Views are a single reading per post, taken at the time above. A post published in the last day or two is still accumulating views, which pulls the 30-day average down slightly. That is a property of the standard definition rather than a fault in it, so we keep the definition rather than “correcting” the number into something nobody can reproduce.
Precision. Telegram publishes view counts on its public widget in short form — 8.12K, 3.7M — so any reading at or above 1,000 reaches us rounded to three significant figures, and only counts below 1,000 are exact. Averages and rates derived from them are shown to the same precision rather than to the unit: a figure like 3,701,250 would assert digits nobody measured.
Reaction counts are published per emoji and rounded the same way, so a total below 1,000 is exact and a larger one is a sum that may carry a rounded component from each emoji above 1,000. Because it is a sum, it does not look rounded — read a large reaction total as three significant figures per contributing emoji rather than as the figure it prints.
What this channel posts
Photos
≈4,320
Videos
≈921
Links
≈1,010
Lifetime counters from Telegram’s own channel header, read 5 November 2026 — not the date at the top of this page, which is when the subscriber count was last read. A count marked ≈ was rounded by Telegram before we ever saw it — t.me prints these counters in full below 1,000 and to three significant figures above, so ≈142,000 means somewhere between 141,500 and 142,499.
Video runtime
29m 00s
Average length
1m 04s
Measured directly from 27 videos with a duration reading, out of the posts we hold for this channel — not this channel’s whole posting history, only the sample this register has actually read. An exact reading to the second, taken from the post itself rather than from Telegram’s own rounded chrome, so it carries no ≈ mark.
Reaction mix
6,566 reactions across 171 posts, in 4 distinct kinds. The most used accounts for 79.0% of them.
Every reaction kind recorded on the sample, most used first
Reaction
Count
Share
Share, drawn
❤
5,184
79.0%
👍
773
11.8%
💔
353
5.38%
👎
256
3.90%
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 171 of the 171 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 6,566 reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 171 most recent posts we hold, published 21 July 2026 to 5 November 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
Telegram Stars
Stars received
4
across the posts below
Posts paid on
4
of 171 we hold a reading for · 2%
Most on one post
1
single highest reading
A paid reaction is a reader spending Telegram Stars — bought with money — on a post by @CinemaParadisooo. Telegram publishes the count on the public post preview alongside ordinary reactions, and this register reads it there. It is the only figure on this site that measures money moving rather than attention.
Stars are not reactions, and the two are never added. They are rendered in the same strip on Telegram and counted in the same shape, but one is a tap and the other is a purchase. The reaction totals and the engagement rate elsewhere on this page exclude every figure in this section, and no rate here is computed against a reaction count.
This is not revenue, and we publish no currency figure. What a Star costs a reader and what it pays a channel are different numbers, Telegram takes a share we cannot observe, and the terms have changed. Converting a Star count into money would be an estimate dressed as a measurement, so the count is where we stop.
Counted over the 171 most recent posts we hold for this entry, published 21 July 2026 to 5 November 2026. Star counts above 1,000 reach us in Telegram’s short form and carry the same three-significant-figure rounding as everything else on this page.
Advertising
Ad load
0.585%
1 of 171 posts carry an ad marker
Regulatory tokens
0
none — marked by hashtag only
Median views · ads
1,650
over 1 measured post
Median views · rest
3,210
over 170 measured posts
An ad marker, not a judgement about a post. A post is counted here because it carries one of two explicit markings: an erid token, which Russian law has required on paid placements since 2022 and which is issued against a specific advertising contract, or a #реклама / #ad hashtag in the body, which is the channel declaring it itself. The first is documentary; the second is a self-declaration and is weaker. No classifier reads the text and decides — nothing on this site guesses that a post is an advertisement.
This is a floor, and it can only ever be a floor. A channel that runs paid placements without marking them produces no marker for us to count, and an unmarked ad is indistinguishable from an ordinary post on the public surface. The ad load above therefore means “the share of posts that declared themselves”, never “the share of posts that were paid for”. A low figure is not evidence of a channel that runs few ads.
Both figures are medians, and no ratio between them is published. Each is a view reading that actually occurred on a post, picked by percentile_disc rather than averaged, so one viral post cannot move it and no interpolated value is invented between two readings. The sample on one side is under five posts, which is too thin to compare. The two figures are shown side by side with the count behind each, and deliberately not divided into a headline like “ads get x% fewer views” — an arithmetic that is easy to print and, at this sample size, means nothing.
Measured over the 171 most recent posts we hold, published 21 July 2026 to 5 November 2026. Views are the latest single reading held for each post, and any reading at or above 1,000 is rounded by Telegram to three significant figures.
Recent posts
Telegram’s own ‘edited’ marker: 18 of 55 posts held from the last 30 days (32.7%) carried it when this register last read them. The marker says a post was changed after publishing, not what it said before — this register holds the earlier wording only where an edit fell between two of its own reads (see the edit ledger and how it is measured).
▪️مونیکا ویتی
ـــ کتاب «مونیکا ویتی: فیلمشناسی و پژوهشها» ــ لورا دلی کولی
ـــ طبیعتاً جیجی وانزی بازی مرا روی صحنهٔ تئاتر دیده بود. بعد از آن، آنتونیونی هم به تماشایم آمد. با آن صدای عجیب و غریبی که داشتم، نقشهایی که برای دوبله به من پیشنهاد میکردند بیشتر فاحشهها، زنان سیاهپوست یا زنهای مست بودند. همین شد که با مونیچلی در آدمهای ناشناس، با فلینی در شبهای کابیریا، و با پازولینی در آکاتونه به دوبلوری پرداختم…
▪️مونیکا ویتی
ـــ من بازیگر شدم تا نمیرم. چهارده سال و نیمم بود که تا مرز پایان دادن به زندگی رفتم؛ همان وقت فهمیدم تنها راهی که برای ادامه دادن پیش پایم مانده این است که نقابِ دیگری را به چهره بزنم و وانمود کنم کس دیگری هستم و تا جای ممکن همهچیز را به شوخی و خنده بگیرم.
▫️Monica Vitti
— 3 November 1931 – 2 February 2022.
🎥 @CinemaParadisooo
▪️مارکو فرری
ـــ امیدوارم این وضعیت کمی بیشتر دوام بیاورد؛ امیدوارم هنوز بتوانیم با سینما، قدری هرجومرج و آنارشی به پا کنیم.
— Marco Ferreri With Antonioni
🎥 @CinemaParadisooo
▪️تینتو براس
ـــ سرانجام فهمیدم انقلابها جز جایگزینیِ یک ارباب با اربابی دیگر نیستند، آنهم با به راه انداختنِ حمامهای خونی هولناک. قدرت اما دستنخورده بر جا میماند؛ همان مولوخِ هیولایی که از اعماق جان از آن نفرت دارم. من تنها یک انقلاب را باور دارم: انقلابِ جنسی...
ـــ تینتو براس چشمچران عاصی سینما در ۹۳ سالگی درگذشت. براس فراتر از برچسب سادهانگارانهٔ «استاد اروتیسم»، آنارشیست جسوری بود که کارش را با دستیاری …
▪️«گرادیوا» در لایه نخستین خود، ادای دینی آشکار به مدرنیسم سینمایی و بهویژه «سفر به ایتالیا» اثر روبرتو روسلینی است. همانطور که در شاهکار روسلینی، زوج بحرانزدهی بورژوا در رویارویی با فسیلهای گچیِ درآغوشکشیدهی عاشقان پمپئی، با برهنگی اگزیستانسیال مرگ و هستی خویش روبرو میشدند، نوجوانان آتلان نیز در سکانس تماشایی موزه و گام زدن در خرابههای پمپئی، به این ادراک تکاندهنده میرسند. مواجهه با تندیسها و قالب…
▪️فدریکو فلینی
❍ ویسکونتی چنان رفتار میکرد که گویی خورشید صرفاً برای نورپردازیِ دکورهای او طلوع میکند. او حتی وقتی بر سر صحنه سر کارگران داد میزد، این فریاد بخشی از یک آئین اشرافی بود. او همیشه یک کنت باقی ماند؛ مردی که تاریخ را بازسازی نمیکرد، بلکه تاریخ را به کاخ خانوادگیاش احضار میکرد.
❍ سینمای لوکینو شبیه به یک موزهٔ باشکوه است؛ همهچیز در آن گرانبها، بینقص، دستچینشده و البته پشت ویترینهای شیشهای اس…
▪️یوهان ولفگانگ فون گوته
ـــ رنجهای ورتر جوان
ـــ انسان باش و از من پیروی نکن؛
تو باید از خودت پیروی کنی ...
▫️The Master (2012)
▫️Dir. Paul Thomas Anderson
🎥 @CinemaParadisooo
▪️«نمیدانم چرا، ولی تا به حال هرگز به جایی که پازولینی به قتل رسید نرفتهام».
این جملهٔ ساده در خاطرات عزیز (۱۹۹۳)، آغاز یکی از درخشانترین و متواضعانهترین ادایدینهای تاریخ سینماست. نانی مورتی خسته از ابتذال زمانه و ورشکستگی اخلاقی جامعه، سوار بر موتور وسپای آبیاش، هیاهوی رمِ خالی از سکنه در تابستان را پشت سر میگذارد و به سوی لجنزار ساحلی اوستیا میراند.
کلام خاموش میشود و تنها نوای بداههنوازی پیانوی کیت ج…
▪️سرگئی پاراجانف
ـــ خدای زیباییشناسی؛ درباره پیر پائولو پازولینی
ـــ پازولینی برای من صرفاً یک خدا نیست؛ او حتی از خدا هم به ما نزدیکتر است. او به رنجها و دردهای زیستنِ ما روی این زمین، و به زخمهای نسل ما نزدیکتر بود. بهتازگی فیلم هزار و یک شب او را دیدهام؛ برای من، این فیلم تفسیری باشکوه و تکاندهنده از کتاب مقدس است. از همان جنس تصویر و از همان ماده و بافتی ساخته شده که در کتاب مقدس جریان دارد.
اگر روزی ک…
▪️روایتی دستاول؛ سوزانا کولوسی دربارهٔ مرگ فرزندش، پیر پائولو پازولینی، سخن میگوید. گفتوگویی تکاندهنده با مادری که در سال ۱۹۷۶، هنوز حقیقتِ چگونگیِ مرگ پسرش را نمیدانست. کلمات او جلوهای از عشقی بیکران و ایمانی تزلزلناپذیرند:
«برای من، پیر پائولو نمرده است؛ او فقط در سفر است. دور از خانه است، در جایی زیبا، جایی که شاید منتظر است تا من به دیدارش بروم. او شاعر بود، و شاعر نمیتواند بمیرد؛ زیرا کلماتی که نوشته ت…
▪️ ناگیسا اوشیما
ـــ اثری مثل نبرد الجزیره شایستهٔ تمجید کسانی نیست که الفبا و حقیقتِ فیلمسازی را میشناسند. این فیلم در عمدهٔ دقایقش چیزی بیش از یک ملودرام نیست ـــ و همین مقدار بس است تا مطمئن شویم تماشاگرش با تماشای آن، عقل و اندیشیدن را موقتاً به مرخصی فرستاده است.
▫️The Battle of Algiers (1966)
▫️Dir. Gillo Pontecorvo
🎥 @CinemaParadisooo
▪️ناگیسا اوشیما
ـــ گمان میکنم همواره خواستهام راویِ خشمِ نوجوانان چهارده-پانزدهساله باشم؛ چرا که آن سن، بزنگاهِ استقلال و بیداریِ اراده است؛ و من شیفتهٔ آنم که این خشم را روی پردهٔ بزرگ جاری کنم و آن را به جان تماشاگران بیندازم. چرا خشم؟ زیرا فقرا و جوانان برای آنکه گلیمشان را از آب بیرون بکشند، چارهای جز این ندارند که خود را به تمامی بفروشند. هیچ راه دیگری برای بقا نیست؛ و درست از همین روست که چنین خشمِ سرکشی…
❤29👍6
Showing the 12 most recent of 171 posts we hold for @CinemaParadisooo. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Stars beside a post are paid reactions — Telegram Stars, bought with money and spent on that post. They are a different unit from reactions and are never added to them, here or anywhere else on this page.
Posts edited after publishing
@CinemaParadisooo edited 6 posts after it first published — the same permalink now carries different wording than the one this register originally read, caught because our own crawl held a copy of the earlier text.
An edit is not deception. Typo fixes, price updates and corrections look exactly like this too — this register can tell you the wording changed and when, not why. How this is measured.
First edit seen
15 August 2026
Most recent edit
3 October 2026
Posts recorded as deleted after publishing
We recorded 17 posts on @CinemaParadisooo as deleted — posts this register held that were missing from the channel’s public page on two separate reads, taken from different network addresses at least an hour apart.
A deletion is not wrongdoing. This register can see that a post it held is no longer on the channel’s public page, and when — not why. Expired ad placements, reposts, rotating links and corrections all look the same. This is a count of recorded detections, not an exact total: it misses deletions we could not see, because only a post we held and later re-read inside the page can be seen to go, and it may include a small number of wrong records. How this is measured.
First seen missing
7 August 2026
Most recent seen missing
12 October 2026
Median time before seen missing
36 hours
Seen missing in the last 30 days
3
Forward network
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Mentions
Named by 13 registered channels — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
Handles this channel named that no longer answer
Dead references
1
handles named in this channel’s posts, vacant today
Evidenced gone
0
we ourselves saw one of these resolve, at some point
Never seen alive
1
vacant every time we have ever looked
@CinemaParadisooo named 1 handle that resolve to nothing today. That is a fact about the reference, not necessarily a fact about the handle’s history — see the two groups below.
Most of these may never have existed as a live channel at all. A handle a channel names can be a typo, an aspirational name nobody registered, or a channel that was already gone before this one ever mentioned it. Unless a row below is marked evidenced, all we know is that it references a handle that is not a live channel today — not that anything “died”. How this is measured.
Never seen alive
References a handle that is not a live channel — we have no record it ever was one.
@barginstitute named in 2 posts, 23 August 2026 – 24 August 2026
Channels Telegram recommends alongside this one
Telegram’s own answer, not this register’s. When this register asks Telegram’s API what is similar to this channel, this is the list it returns, in the exact order Telegram returns it — never re-sorted by subscribers or by anything else this register measures. The relationship, and the order, are Telegram’s; we record them and date them, and make no claim of our own about which of these channels actually resemble this one.
Read from Telegram’s recommendation API, most recently 20 September 2026. Telegram holds a list like this for a small and growing share of the register — how this is measured, and why most channel pages show nothing here.
Appears in Telegram’s recommendations for other channels
The reverse of the list above, and a different kind of signal. This does not require this channel to have ever been asked about directly — each row below is a channel we DID ask Telegram about, whose Telegram-generated list happened to include this one. A channel can appear here with an empty list above it, because being named by someone else’s query is independent of having been queried itself.
برترینهای سینما @Nazariyeh_Cinema · 19,874 Telegram ranks this channel #2 of 66 here — alongside 65 others — read 4 October 2026
سینما یعنی . . . @cinemayanii · 24,167 Telegram ranks this channel #2 of 72 here — alongside 71 others — read 17 September 2026
ادبیات، فلسفه و سینما @NazariyehAdabi · 43,467 Telegram ranks this channel #2 of 71 here — alongside 70 others — read 29 August 2026
بایگانی @bankema · 32,610 Telegram ranks this channel #3 of 75 here — alongside 74 others — read 5 September 2026
Red Curtains Whisper @redcurtainswhisper · 33,477 Telegram ranks this channel #3 of 66 here — alongside 65 others — read 4 September 2026
ART CHANNEL @artchanel · 20,143 Telegram ranks this channel #5 of 75 here — alongside 74 others — read 29 September 2026
سینمای موج نو @Cinema_New_Wave · 27,182 Telegram ranks this channel #8 of 71 here — alongside 70 others — read 14 September 2026
CINEMAee | سینمایی @Cinemaee_ir · 22,810 Telegram ranks this channel #9 of 67 here — alongside 66 others — read 19 September 2026
کتابخانه @bookhapdf · 75,478 Telegram ranks this channel #9 of 82 here — alongside 81 others — read 19 August 2026
کافه هنر @honar7modiran · 34,967 Telegram ranks this channel #12 of 69 here — alongside 68 others — read 2 September 2026
The Catcher in the Rye @caulfild · 33,611 Telegram ranks this channel #14 of 69 here — alongside 68 others — read 4 September 2026
مطالعات تئاتر️ 🕊️ @Theaterstudies · 34,016 Telegram ranks this channel #19 of 79 here — alongside 78 others — read 11 September 2026
Classical Music @classicmusic3 · 40,931 Telegram ranks this channel #19 of 87 here — alongside 86 others — read 30 August 2026
ھنر تهی @honartohi · 27,451 Telegram ranks this channel #21 of 72 here — alongside 71 others — read 11 September 2026
حرفه:هنرمند @herfeh_honarmand · 21,951 Telegram ranks this channel #23 of 81 here — alongside 80 others — read 22 September 2026
باشگاه ادبیات @BashgaheAdabiyat · 41,637 Telegram ranks this channel #26 of 68 here — alongside 67 others — read 30 August 2026
Owrsi | اورسی @owrsi · 55,216 Telegram ranks this channel #26 of 84 here — alongside 83 others — read 23 August 2026
𝘼𝙍𝙏 𝙅𝙊𝙐𝙍𝙉𝘼𝙇 مجله هنری @ARTTJOURNAL · 35,612 Telegram ranks this channel #27 of 74 here — alongside 73 others — read 3 September 2026
Aasoo - آسو @NashrAasoo · 29,089 Telegram ranks this channel #30 of 93 here — alongside 92 others — read 8 September 2026
خلاصهی فلاسفه @Arts1992 · 19,755 Telegram ranks this channel #31 of 84 here — alongside 83 others — read 29 September 2026
Annamorphin @anamorphyn · 25,177 Telegram ranks this channel #36 of 70 here — alongside 69 others — read 16 September 2026
فلسفه و جامعهشناسی @Philosophy_files · 31,106 Telegram ranks this channel #36 of 80 here — alongside 79 others — read 8 September 2026
@litera999کتابخانهوموزه @litera999 · 77,870 Telegram ranks this channel #36 of 80 here — alongside 79 others — read 19 August 2026
Art and death. @Art_death · 26,420 Telegram ranks this channel #41 of 74 here — alongside 73 others — read 14 September 2026
This channel appears in 40 seed channels' Telegram-generated recommendation lists in total, of which the 24 where it ranks highest are shown above. Each is Telegram’s list for THAT channel, not this one — see how this is measured.
Cite this entry
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 5 November 2026 — this
entry's latest reading, not the date you are reading this.
“سینما پارادیـزو” (@CinemaParadisooo), 22,930 subscribers as measured 5 November 2026. Telegram Register, tgregister.com/channel/CinemaParadisooo.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.